Monday, July 28, 2008

Up in Alabama (1844, short story)

Up in Alabama
((Summer of 1844)(story form the book “Old Josh, in: Poor Black”))

Enrique Tapia came up to Ozark, Alabama in 1844 from Lima, Peru; he bought himself a restaurant from old man Ritt, the Banker in town; Enrique was a medium size fellow in height, with a large belly area, clean shaven and big hands. He was a good cook but didn’t look much like a cook even with his apron on. He lived above the restaurant, and took his meals in the back, while his sixteen-year old daughter, Ximena took care of the customers; his wife had died early on during Ximena’s formative years.
The younger Ritt, John, came into the restaurant often that first year they were in business, he liked the way Ximena looked, thought she was the neatest girl he’d have ever seen, and he always had a clean bright tie on when he came into visit the restaurant. even commented her on her legs He liked her face because it always had a smile on it, but he never thought about her otherwise.
Enrique, paid Mr. Hightower to have his slave Granny Mae, help him out occasionally at his restaurant, and Jordon, Josh Jefferson’s son, who worked at the local grocery store, also came over that year to help clean the place, Jordon being in his mid-teens.
Ximena liked John somewhat. She liked the way he walked over from the bank and often went to the kitchen behind the counter, by the half doors to watch her make the food. She even commented on his ties. And she liked how white his teeth were, how clean he always looked, and he smiled, almost as much as she; he seemed well mannered and kept.
One day, he had come over early, and he found he liked her dark black hair, and her small arms, and tan copper skin, and he watched her wash up in the washbasin outside the restaurant, in the back of the building. But this made her feel funny; but he paid little attention to her feelings on the matter and just stared.

From the back of the restaurant, in the alleyway, you could see the Post Office, and the grocery store, the one Jordon worked for part time. And sometimes a wagon was hitched out in front of either building, or close by where the Bank was. Across the street was a small park, elm trees along side the road, the alleyway being sandy. This was farming country, plantation country. A church was down the road a bit. The restaurant was painted Green, called “Mamma Mea’s,” and the back end of he building faced a school.
All the time now, Ximena was thinking about John. He didn’t seem to notice her as much as he first did though, and she noticed that also, and perhaps, just perchance, the enticed her even more. And when they did see each other they talked about the bank or restaurant business. In the evenings, John, if he worked late would walk on by the closed restaurant, talk to Ximena’s father, Enrique, whom would be reading some old books, and its poetry and so forth, or the Ozark Paper, by a kerosene lamp he had sitting on a stool by him, on his porch, along the wooden side walk. Ximena would come downstairs, along side the building, join them, occasionally have to leave and go to the roof where they had two dogs and feed them and rush back down to her room, feed the puppy Rocco, then head on down another flight of stairs to see John, and her father, and he’d often times be gone.

It was John’s birthday the 28th of July, and Ximena wanted to make him a cake, for when he came into restaurant, she’d surprise him with it, but was afraid to ask her father if he’d not mind, eggs and flour were expensive, and Peruvian’s were quite conservative, and he really didn’t like the idea she was seemingly chasing him, not him, her: otherwise it might have been alright.
And so the day came, his birthday, day, and she didn’t make the cake, her father said no, and John ate breakfast, and then went out to the Hightower Plantation, to talk to Charles Hightower, to make a proposition on buying some of his back fields, some what he called loose acreage, he had over twelve-hundred acres. All the time, all that day, Ximena thought about him. It really was awful, while he was gone, not knowing he was over at the Bank, or coming for lunch (as she helped her father with the Peruvian dishes of food, ones that seemed to have become favorites with the clientele in town, such as: Lomo a lo pobre (rice, fried thin potatoes and beef strips, mixed together), Carapulcra, Pachamanca, a soup called Mondongo); matter-of-fact, he didn’t show up for three days, and she couldn’t sleep well from thinking of him. If she just dropped the subject of John it would be better, and that third night she had a dream.

In the morning of the forth day he, John had been gone, she saw John, coming down the road, on his horse, outside of the restaurant window, she became sick, felt weak, she busted out with tears, said,
“Papa, there’s John, he’s all right!” it seemed to her everything would now be fine, ok.
Enrique knew this was not a normal reaction that she had liked him much more than he had figured. He studied the situation at length, not saying anything for the moment, just sizing it up, watching, and deliberating within the vaults of his mind; looking at the expression on his daughters face, then onto John’s.
Now John rode up to the bank, stopped and tied his horse to a post, walked over, across the street to the restaurant, the elm trees to his back, through the restaurant door he came dragging a sack. There were several men in the premises, with beards and long mustaches, and hunting cloths. Outside was a wagon full of boxes. Enrique, kissed his daughter on the cheek, told her to go in the back to do an inventory of what was needed for tomorrow’s breakfast and lunch (kissing was a norm for the Peruvians, and the folk in Ozark was getting used of seeing this affection within this new café environment, although it was a strange custom at first).
“Hello Ximena,” said John, before she got to the archway entrance to the back pantry.
She turned about, grinned, “What happened to you, I haven’t seen you for four days?” remarked Ximena.
“Not a thing happened, I was out at the Hightower Plantation looking at his back lots, his fields, and I want to buy fifty-acres of it. You know what I’m talking about, it’s where Jordon’s father is, where Jordon lives when he is not working here or at the grocery story, his father’s that old big nigger called Josh, he’s kind of bullheaded if you know what I mean—my dad and him don’t get along all that well, too bold for a nigger in these parts of the country—he says, but Charles puts up with him, not sure why. And I stayed with Charles Hightower and his family for those three nights, and we did a little hunting, snake hunting,” said John.
She thought about what he said, about Jordon’s father, then said, refraining from any other question on the matter, “Did you shoot them?” asked Ximena.
“No, isn’t it a beauty?” he commented as he pulled a four foot dead rattlesnake out of a potato sack he had dragged into the café.
Ximena jumped back, somewhat frightened, her father looking,
“You got an inventory to do, don’t you…?” he hollered, reminding her, if not asking her.

That evening, John came over to visit Enrique, brought a two gallon jug of homemade corn whisky over with him, bought it from Granny Mae, it was awkward to even lift and drink out of, and as such, they drank that night—sitting on the porch of the café, Ximena, by her father’s side, John ended up pouring whisky down his shirt trying to hold onto that heavy jug, while Enrique smiled, and his daughter smiled, as Enrique drank his out of a glass—casually as if to be a good host, John took it right from the jug, as clumsy as it was.
“Well, Mr. Tapia, here’s looking at you,” and down went another big gulp of corn whisky, then he pulled up another potato back, he had it sitting on the edge of the wooden sidewalk, took out a six foot snake,
“Damn, big one haw?” he rhetorically, asked, looking at Enrique, who just stood there in dismay, confused at what his intentions were, thinking they were originally for his daughter, but perhaps they were just to have a drinking friend, to get drunk with, but he was not that accommodating friend.
“They taste good for a man to eat raw,” said John, trying to straighten out the long dead slippery snake, and he started to take bite out of it, after cutting into its flesh, saying at the same time “It’s good for what ails you, especially for potency!” (Then laughed like a hyena.)
Then he looked at Ximena, she was not laughing, nor was her father, and so he said, “How about another, drink?” and he took one.
It was obvious, John was feeling great.
Then John stepped back to talk to Ximena, thinking her father could not see what his intentions were, what he was about to do, try to do, and his small white hands went around Ximena’s shoulders, she said quietly, “You mustn’t,” and moved a bit to her right, in back of her father’s rocking chair.
But John didn’t pay any attention to her, and his hand went back over her shoulders and an inch or two down her spine. It became obvious he wanted to do something, and she was getting frightened.
“Let’s leave,” John said to her, a statement not a question, because he stared to pull her his way.
“No, John,” said Enrique, “she isn’t going anywhere….”
“Oh it isn’t right, I really like her,” John said.
“Oh John, go home, go home,” said Ximena, knowing her father was getting upset, and she also (John being in his late 20s, and Ximena, only sixteen, but that wasn’t uncommon for a marriage to have taken place in at such an age, in those days, but it was a heavy scene for Ximena to see this man drunk, playing with snakes, and making her uncomfortable and cramped in the back by her father’s chair; it was in, if anything, showing another side of John, one she didn’t know, hardly expected, and didn’t really want to put up with now, nor later on in life.
She, Ximena, tried to work her way out, from around him, and he, John wouldn’t move, he tried to do something to her hair, then Enrique pulling himself out of the chair, pushing it in back of him, lifted and pinned his head—pushing it against the wooden wall of the restaurant, and shook it, and he rolled his head back and forth, and he started to cry, and she saw all this, and whatever she saw in him before, it was now all gone, a mist had come up, and unveiled the real person he was.
She walked to the side of the building, back up the stairs to her room, to where her puppy, Rocco, was sleeping, she wanted to cry, but couldn’t, it was all so funny, and here a few hours before, it was all so serious.
“Rocco,” she said, “please stay nice as you are!” Rocco stirred and curled up by her feet as she sat on her bed. She took off her shoes and leaned over to cover him up with a blanket, and did, along with tucking it under his belly, neatly and carefully. A cool breeze was coming through the slightly opened window, all the way from Main Street, and John, he was dragging his sack of snakes across the street to the bank, and then she shut the curtain.

Written 7-28-2008
Dedicated to EH and XH

Tuesday, July 22, 2008

Josh and Arizona Blue "Trading Horses" (part three of three to the "Auction")

Josh and Arizona Blue
“Trading Horses”

Part Three of Three ‘The Auction’(1865)

Night, in the Smiley and Hightower fields were settling quietly in across the spring plantations, the birds had left their trees for the night, flying back to their own nests, the clouds sunk into twilight, chimney’s were pumping out smoke, the whole country side was rolling over into a sheet of night; with an intermittent and brief sound of sporadic thundering.
Old Josh was at the other end of the Hightower plantation, walking the horse, and on his way back to the barn, he spotted a confederate soldier, a man who at least looked similar to a confederate soldier. When the stranger spotted him, he jumped to his feet quicker than a rattlesnake, with piercing blue´-eyes, pulled out his revolver like a gunslinger, aiming it at Old Josh, said with a grin,
“I reckon you’re too old, old man to do anyone, any harm, which way is out of here?” he asked.
“You sho’ got some springs on those there feet of yours soldier, and yous faster than a whip with that there six-shooter, all you needs to do is head on down younder there a bit, and youall will come to Goose Creek, and find a bridge, takes that bridge, and you is on your way out of Alabama—ef-in thats where you is headed.”
The cowboy-soldier stood firm, put his pistol back into his belt snug against his belly, he was drowsily awaken, the only light was that of the moon, twilight had turned now into night, and the little fire he had going was at its last sparks.
“What’s the name of your horse?” asked the cowboy.
“I calls him, Dynamite, hes got what youall call spirit.” Said Josh with a smile.
“Dynamite,” laughed the cowboy, “Haw, what a name, how about Dan, I like Dan?” suggested the cowboy.
“Listen Mister, yous got the gun, and I is jes’ an ole nigger, yous can call him fish, or bone or rabbit or anything youall wants to call him, cuz you is who you is, I calls him Dynamite, and you calls him Dan, it all is ok, wes can call him Dan Dynamite the hoss, ef-in you wants to, cuz we all got a first name and a last name, and hoss only git one, so this here hoss gits two, cuz you say so, and that is that, and I is getting tired, can I go or does I got to stay here and give him a middle name now?”
The cowboy smiled, “I see you like to talk old man, this here horse of mine is like a mule, I’m taking your Dynamite, and my Dan, and we are heading out of here, now, is there a problem with that old man?”
“The hoss is not mine, it belongs to Mr. Hightower, youall can take it up with him, do as you is goin’ to do, cuz it white folk against white folk!”
The cowboy jumped up on Dan, and started to ride off, then stopped, said, “Tell your boss, the Army needed his horse, traded it for that there horse you got, he’s more on the order of mule I suppose, my name’s Arizona Blue!” and he rode off, and Old Josh, grabbed that horse of his, and named him ‘Blue,’ after the stranger, and walked on back to the plantation barn.


7-22-2008

Monday, July 21, 2008

Old Josh, in: "The Auction" ((1865)(part one of three))



“There aint a hoss I ever did see that I git a liken for cuz they aint worth it, youall got to feed them, and water them, and bed them, and they cant do a thing fer themselves,” said Old Josh, adding, “they aint worth a dollar for anyone of them, that ther saddle over yonder over that there fence pole is worth more than the hosses. Yessum those hosses cause yaw nothin’ but trouble. And ef’in I had my choice, I’d kill them all fer horse meat, and feed them to the hogs—Yessum they aint worth a cent now that I think of it.”
The Auctioneer told everyone to get ready, the auction was about to start, there were several men sitting on the fence posts of the corral waiting to bid on the five-horses, that is all they had, five-horses inside the corral, and not all that great looking either:
“Come-on boys!” said Josh, but Silas didn’t move, he said, “Wes got to buy a hoss cuz Mr. Hightower done gave you twenty-dollars pa, and I hears him say, ‘Josh now yous better listen up, cuz I wants a hoss, and I wants him today, you hear me?’ and you say, ‘I hears you Mr. Hightower, dont you worry none, cuz I got it all figured out!”

A few of the buyers looked towards Josh, and Josh said in a whisper,
“Shut yo’ mouth, I is doin’ business but yous jes’ dont know it!”
Jordon then said, “Come on now pa, wes gittin’ hungry, buy a hoss so we can go on home and eat.” (It was getting hot, and late in the afternoon,)
“Ok son, I gives them fifteen-cents for that there hoss with the big eyes, brin’ that there hoss over here son, I wants to see him closer…!”
And the stable boy did as he was told, and Josh made faces at the horse to irritate him, and even spit in the horses face, and gave it a good slap on the snout, and the horse jerked and jumped a bit, became unmanageable for a moment; no one saw Josh spit, or slap the horse, no one but Josh, Silas and the stable boy, as Josh evidently preferred it.
“Go on now,” said Josh, “and when yous go around this corral again, bring that there hoss back to me.”

“Ok, forks,” said the auctioneer, “how about five-dollars a head to start out with, five dollars for any one horse you see.”
And some tall white guy, sitting on Mr. Smile’s fence, where the auction was being held, said, “I reckon I can say five for that one with the big eyes.”
Said the auctioneer,
“That there horse is the best of the lot how about ten or even twenty dollars for it, do I hear a higher bid?”
The boy brought the horse with the big eyes back around to Old Josh, and he went to pat the horse on the face—making sure everyone saw him do it—and the horse jerked back, and the man who bet five dollars, saw him jerk back, and Josh made a face, Josh looked as if he was scared (but he wasn’t of course, it was all show and tell), and the tall man, looked like he was going to bid ten dollars, but after seeing the horse buck backwards, and jerk, and Josh shudder, he stopped suddenly with his bid, looked at the auctioneer, said with a sceptical voice,
“I’m a given’ it to anyone who wants it for $6.00 because I’m not bidding another dollar for that wild beast.”
Old Josh quickly said,
“I suppose I gots to take the wild one, cuz I’s a nigger, and youall want the best, so I gits the worse, ok, gives me the hoss for $6.00 and I take him as he is.”
The Auctioneer was dumbfounded, but the horse almost took a bite out of Josh’s hand, so what could he say,
“Ok, Josh, Mr. Hightower’s got a real deal on this horse.” (And the auctioneer went onto the next horse.)

Old Josh, he looked happier than a mouse with a pound of cheese on his back, walked away with the horse, said to his two boys,
“Yo’ ole pa, he aint so dump as youall think he is,” and he laughed all the way back to the Hightower Plantation, which was not all that far, and said with a sly voice, walking with a calm horse now,
“We done goin’ to git fourteen dollar worth of moonshine from Granny Mae. And I thinks we is goin’ to call the hoss, dynamite!”


For Mike Siluk 677 7-21-2008

Saturday, July 19, 2008

Zam, in: Kingdom of the Congo (and the Pygmies, 1809)

Zam, in:
Kingdom of the Congo
And the Pygmies
(1809)

In the Congo, the Congo King welcomed the Europeans, especially the Portuguese traders, and many slaves were taken from this area, war criminals, debtors, captives, and so forth, sold by none other than Congo clan chiefs, and the Congo King, in particular, whom where then transferred to America, on Portuguese ships often; this of course dwindled the size of the population of the Congo down, and one of larger traders of Congo slaves were the Muslims.

Zam, was six years old at this time, he had never heard of such goings on, nor his friend Samba, nor his mother Zambia, they lived in the jungle, and within a tribe, a village. A distance away from Zam’s village, were a group of pygmies, among other groups and villages throughout the area. In all respects, the pygmy village and Zam’s village were made up of simply peasants.

Samba was a pygmy, and lived within a village of a half dozen huts, small in size compared to Zam’s, village, and Samba he himself was small in size compared to Zam, yet they were of the same age in reality.
Zam liked going to Samba’s village, they sang and danced a lot. It would seem to Zam, they were a deeply stratified society compared to his village, an ethnic group in essence.
Very small people they were, even at adulthood, Zam’s mother towered over the tallest adult of the pygmies. And they live, many of them live in servitude to the more populace majority, a form of slavery to the Elite; so Zam’s mother told him, yet slavery was just a word to Zam, one he could not understand, or sense, feel. On the other hand, it was a common slavery within a country that took their own kind, and sold them to strangers to be sold abroad; thus there resided—not far from Zam—discrimination of the minority, and a serious pattern developing, one nobody really saw.

Perhaps it is because the Pygmies were uneducated and the Elite group was the more populace, advanced, that they could and did dominate their own kind. This was the first time Zam, had come into the knowledge of freedom vs. enslavement: whereat, when he would become older, it wouldn’t completely be out of the ordinary to him anymore, although he was a stranger to its sentiment at this very moment.

The pygmies made up about ten-percent of the Congo at this time, and it was by way of Samba’s parents, Zam learned how to hunt and fish, they being very skilled in this area.
Gondi, an Elite Pygmy, had twenty-five slaves, and wanted Samba and his mother to be part of his group. It was said, he did give parcels of land to his slaves, after so many years of bondage.
It happened, during Zam’s sixth year of life on this earth, that Gondi took Samba and his mother, forcefully took them, and incorporated them into his African plantation, had his mother carry baskets of manioc roots, a starchy staple of the Bantu people, the elite of the pygmies, and felt he was generous, at paying fifty-cents a day for her sufferings, plus allowing her a hut to live in with her child (not all that much different than what Zam would experience in future times).
Zam wanted to do something about this, but what could he do, he was six-years old, helpless in an adult world, a cruel world, a world that he would get to know quite well in due time—and what could his mother do likewise but observe from a distance, and his father, as I have previously mentioned, was killed by a great ape. Consequently, he was learning at a very young age, he would need somewhere along life’s line, a helping hand, right now it was his mother.
Accordingly, he was born in time people did not see, or were blinded to such things as personal liberties, fixated in the interest of self-interest. It really was simple I suppose, men had learned how to dehumanize using color or the majority vs. the minority, thus, it was, or it became easy if you could get into such a box to dehumanize in the name of profit, use as a means to an end. And as Zam would find out in time yet to come, Samba was not the only one to feel the lose of freedom, he would have a life time to feel it himself, or close to it.

7-20-2008 (The Bantu language, of the Congo dates back to 3000 BC)

Thursday, July 17, 2008

Zam, of the African Congo (Indecision?) 1810




Zam and his mother sat in their hut in the village, he sat on a stump of a tree he used for a chair, a bit uncomfortable, but his mother wanted to give him instructions, he was now seven years old, and he needed to know a few things about the jungle, in particular, the lion, the hungry beast of the jungle, the merciless savage, the unleashed beast that was untameable. As she readied herself, laying on a cover made out of wood, crossed legged, to tell her son the extent of how to deal with an offensive beast like the lion, in a defensive way, silence overtook the hut, the silence inside of man and beast that is, not the silence of the jungle, for sounds of the jungle, many sounds of the jungle, all seeped in and around the hut, hooked onto the shelter like the grip of anacondas, for the jungle is never ever quiet—and as she went to opened her mouth to explain, she said:


“(Translated into smoother English for the reader, where it was of course in a dialect of the Congo, in the early 19th Century) To capture the big cat, you must be taught, perhaps more told than taught, and I shall Zam, tell you know, what your father had told me (his father had been killed by a great ape), here son, is how to approach, and if need be kill, or run from the predator, the giant cats, like lions, and tigers, of the Congo, and of course we have the great apes and anacondas…” Zamia had heard her husband teaching other children of the village, when Zam was an infant, too young to learn and retain any skill in this matter, the lions, the big cats often snuck into villages, in the high grasses and pulled their children off to a safe zone, and to feed on them; as for the anaconda, they swallowed them whole. “It is best,” remarked Zamia, “according to what your father told me, and those children, ‘…avoid hunting the lion or great apes, they will hunt you, and there is plenty of other foods in the jungle, one needs not take such risks as to catch, the lion, but if you must, follow these instaurations,’ and now son listen closely, I will try to say it as you father told me: you may have to invent along the way, if the cat is next to you, for a moment become a village priest, a king, be all, and the cat will see this transformation, and while he stirs in his mind for hunger or survival, you be ready for which ever one is the strongest he will react to, and while he stirs, moves a paw, or his great teeth he shows, do not move a finger, create mouth sounds but do not move your lips, but only a light distraction, it will chill the blood of the beast, it will darken his veins, the beast will see your quietness, your unblinking eyes, make the lion think you are greater than he, let him see the ‘I am that I am,’ the god in you, let him see you are the chosen one. Then it is your move, and do it slowly but move, steadily, and do not let the beast see your eyelids close—if you blink, make sure the beast is unaware of it—thus, the beast will know you are not like everyone else, and you are speaking a language it can understand, you have reached the skeleton of the beast, you have tamed him for the moment, tranquilized him, and must make fruitful your quest, either attack, or run, for the moment is against time unknown. Your skill with the spear will depend on a quick attack!”

There was such a moment, a reality, that occurred to Zam, and also there was something left out of the speech, something his mother didn’t know, didn’t overhear her deceased husband say, something Zam would now learn. For at this ripe young age of seven, he was faced with this very scenario, and did exactly as he was told, but Zam didn’t run, nor attack, he stood his ground, he became all he could, and beast moved away. He had learned one thing, which could be used for the greater good or a man’s demise, that not moving, was also a decision, and in this case it was the right one, in future time, he would face it again, and soon.

7-17-2008








Wednesday, July 16, 2008

Zam, in: White Gorillas ((1811-1813)(from the Old Josh series))


Zam, in: White Gorillas
(1811-1813)

There was no worry, or confusing thoughts of the future, for Zam, and his mother, the black boy was eight years old, it was 1811, the future wasn’t even on his mind, only the occasional recollections his mother told him to remember, his mother Zamia—to remember because of his environment, the tropical forest of the Congo was his home, a most alluring picture of beauty at nature’s best, but also nature’s beasts for his father was killed by one of the great apes, during his infancy. Hence, the equatorial sun beat through the tense jungle, the leafy sea of green overhead, this canopy of leafage devoured much of the sun.
Today was a hot summer’s day, on this side of the world, the year was 1813, he, Zam had just turned ten-years old, and it was a day for loafing, like many days in the rainforest, outside the large village he and his mother lived in, he was running his fingers through his mother’s hair as they lay against a tree, simply adoring her! He had no brothers or sisters.

She, his mother looked at her son, for a few minutes she watched him, caressed his arm, stroked it, she had produced this boy, she was proud.
She had catlike eyes, saw everybody and everything that approached too close, and like a lion she’d even snarl at it, produce a deep growl, if she sensed danger, yet she was a small women, bloodshot eyes.


Zam’s muscles were rigid, and he was a large boy for ten, great shoulders on him, like a bull-ape’s, likened to his father. Gray eyes that would turn dark brown; he stood up, looked about, squatted, played with the monkey’s, and ate some bananas, and even a few grub worms, he was hungry.
He wasn’t sacred of anything except a bull-ape, the kind that killed his father, and to the monkey’s he was their antagonist.
It was a life, for the most part, of brutal content, they lived like the sparrows, bellies full of whatever they found to eat, even monkey meat. He never heard of the white man, or other countries in the world, he was in his world, the jungle, the rainforest—his destiny, according to his mother was to survive each day, and die to feed the earth, to make room for another, to give back something. That if necessary, you court death to save his family from the fangs of the lions, these wild beasts were the enemy, not man per se. Never-failing, as the King of the village knew, this would be Zamia’s down fall as it would be her son’s.
(We must not blame them for their ignorance, in what took place this day for even in the most modern countries of its time, to this very day, man selects leaders, and leaders in most cases work on the theme, of self-interest, and it was to be that way with the king, yet he, himself the king, would have a surprise, you play with the devil, expect no mercy.)

For the most part, Zam was still developing those layers of untried muscles, the ones he would use in future time undeveloped and untried fighting muscles, and he would learn how to bite and fight, and run, and throw the spear, if given time to do so, and his mother was quite proud of his achievements at his present young age. But his attention was distracted when he saw the strangest thing, white men, or were they gorillas, talking to their king. He asked his mother,
“Is this a new kind of ape?”
He knew the beetle, and the caterpillar, the mouse and the elephant, and the lion and many more animals and insects, like the ape and monkey’s, and the many kinds of birds, but this new creature was different, had beards and moustaches, and lots of cloths on, and they were snatching black-men—like catching mice—even as they run off they ran after them, they leaped on them, while in pursuit. The thought in his mind, in Zam’s mind, was: the king must be angry, his face showed it, for evidently they had done some kind of wrong, these comrades, black-men, had done some kind of wrong, and these new creatures were trying to capture the natives for him.

The king approached Zam and his mother, introduced the seven white men to them, not a formal introduction, but one saying in essence, ‘these are my special friends from far away, they came to do business,’ and the king was going to leave it at that, leave the boy and his mother where they were; the boy noticed they had chains with them, having fondness for the king, Zamia didn’t run, didn’t consider an escape. The kind said,
“The boy needs his mother, he is too young for the journey on that ship of yours,” he had said this to the white men, but Zam didn’t know what a ship was, or journey, and felt quite alone with his mother as they talked about him and his mother in the third person, as if they didn’t’ exist. He could scarcely formulate the correct thoughts, to figure out what was happening.
Then the leader of the white men said:
“They’re all savages, even the king, attached or unattached take them all,” and they grabbed Zam and his mother, and the king, these men knew neither fear nor gave mercy, they were to Zam a strange inexplicable force, and now the mother and Zam both fought to gain their freedom.
One of the men dropped a noose around the boy’s neck, this stopped the mother from fighting, and he, the king was unconscious, he was hogtied to a polo, carried by two chained black men, and when he awoke, at the beaches, he was angry as a boar, but his grunts only gave reason to the white men to slash a whip across his back. And the boy looked at his mother, said, “White Gorillas,” he saw them as his enemy, the enemy of his father, the ones that killed his father.
The river winds, the village the huts he was born in, lived in, familiar with, all that was, all that used to be, was no more to be, gone with his youth, for a new tormenting life on a ship he thought looked more like a monster crocodile, than a wooden vessel.

((For Rosa) (7-16-2008))

Sunday, July 13, 2008

Old Josh, in: A Delicate Wind (1902)





A Delicate Wind
(Molly and Old Josh, 1902)


The summer became fall, and the fall itself advanced to a pre frosty winter, a chill in the air, Josh had less and less light to escape from his shanty, and from the fields, to the fishing down at he creek, Goose Creek. Soon it became darker before it got later, when he finished his chores on the plantation, he got ready to go down to the creek, in the dark actually, left the barn, grabbed his fishing pole, and took those big feet of his and nonetheless, dark or not, headed across the fields to the creek, looking back he saw the misty appearance of the barn, his shanty, the mansion, the Hightower Mansion. Molly Benton had her light on in her little house by the creek, usually when he got down there late, especially in December, it was tangible to think the false darkens was late at night, when in essence it was only 6:00 PM.
He sat on the edge of the bank on a large rock, that feeling of lateness was gone on, the birds cheerfully sang, the mocking birds in particular. The world was no longer in a hurry, he sat there without fear, calmly, visibility good, he could see across the creek, down the creek at Molly’s shack, painted grey, the grass seemed to move about him as he sat on the rock, he listened for Molly’s approach often perhaps she’d greet him this evening, sometimes she came out to say hello to Josh. Tomorrow was Sunday, and dawn would come unfilled with the need for work around the plantation, he might just as well fall to sleep he told himself, for he often did, right where he was, he had his jug of corn whisky, If she came, even if he was sleeping, he could smell her, the whole creek, its dew as it dropped down along the creek reeked with her, her approach, he’d remain motionless, just lie still if she came, he liked her, and he liked the smell of the earth, the taste of the creek water, dawn’s reddish pink horizons, it was all at his feet.
Then she’d come next to him, and he’d see her, under the morning sun, he liked that, he’d smell the last of the fire wood, breath it in, feel the wet yellowish grass, no wars to worry about, this was it, there was no more to be done in life just to enjoy her company, his two sons, his little plot of land he inherited, it was 1902, and Josh was 92-years old. His hand had grooves in them now, from old age, yet still a little firm, more gentle than they used to be, as was his voice. He had seen so many of his friends die.

In the morning, Josh lay and waited for Molly, the mist blew away as morning got older, there seemed to be no today, without her coming last night, or at least in the morning. The fire was out, he had caught three bullheads last night. Her not appearing made him disoriented, yet alert, in a spell of juxtaposition. Perhaps she didn’t feel well. He stopped his thinking, his fear, and urgent judgments, nit-picking of what she might be doing, even avoiding him, mulling over what might have happened to her, and laying on his back, pushed his body up, hauling that old savage body to its feet, shirt dirty, he brushed it off, exasperated, he heard some dogs in the distance, and he watched the house. Sometimes we don’t want to know, what we secretly know we know, trying in the process before we investigate, trying to talk ourselves out of moving on toward the sill house, He looked back towards The Hightower Plantation, it was just a spec, the size of a dot, he tried to speak, drooling like a dog, “Easy now,” he told himself as he walked to the small hut. He didn’t hear a thing in the house, he was uncoordinated, and opened up the door, and almost twisted his wrist to it being sprain, and called “Molly, is you ok, is you in there…?”
His eyes were still focusing, his shoulder hurt from laying on it all night, and he tried to twist and look around but his body was not obedient, he had to shift his legs to turn around to see, through the window he could see where he was last night where he fell to sleep, and the rock he sat on, fished from, then he looked at the bed, in her bedroom, she lay still in it, peaceful, he started to whimper, and entered the room.
He couldn’t remember how old she was, but his guess was that she was born around 1821, making her 80-years old. Her head lay softly on a pillow, her arm hung loosely to her side, he touched her arm, it was warm, slightly warm, he stopped whimpering, he tiptoed to her side, closer, there was an astonishing silence, he now knew she was dead, without realizing he kissed her forehead, functioning in reverse, he stepped back, said looking upward, as if heaven itself was listening, his eyes shut, his heart tugging back, “Thank you Lord for giving her such a peaceful death, if only youall give me one like that, I’d be obliged to give a special thank you.”

When he reached his shanty, a ways, away, he turned to look back, saw there was no smoke coming from her chimney, he’d miss that. He couldn’t see the house, but the smoke, the smoke always told him, Molly was cooking, she was alright. He did not hesitate to fall onto his cot, he was tired from the long walk, submerged now in recall, dreams, knee-deep in emotions, tears streaming from his eyes, and he fell to sleep. He felt Molly knew he was outside yesterday, and perhaps this morning, she also knew—he felt—she was dying, and didn’t want Josh to witness it, but it was good he was there, so his dream told him, no one likes dying completely alone, they want to know someone will be coming, or is nearby. Dying is a monster step, in a persons existence, if he is at peace with God, then the step is easier, if not, he is looking into the abyss, and it is pulling at him. The wind from the overhead window, was slightly opened, there was a delicate wind today, and Old Josh had a beautiful and peaceful sleep.

Written 7-13-2008

Saturday, July 12, 2008

Old Josh in: The Cigar


1891

For some odd reason Josh's mind started shifting into a different mode, he was at an old friend's work place, at a party [dreaming, daydreaming, so it seemed]; he always liked a good cigar, just never could afford one, now and then Mr. Charles Hightower gave him one, around Christmas time usually, and he was dead now, died in 1869, twenty-two years ago, it was now 1891; other than that, on special occasions if he had the money, he’d have Silas or Jordon, Jordon in particular, because he worked at the Grocery story in Ozark, buy him one, and today, Molly, Molly Washington Benton, the same person who lived down near Goose Creek, helped him, Josh when he was sick, and worked as a seamstress off and on for the Smiley family, who owned a plantation next to Charles Hightower, asked him if he wanted one, a cigar. He looked at her, in an inquisitive way, said "Yessum, I sho would if-in you have one…" and to his misfortune, it was quite a small stub of a cigar that Molly gave to him, peculiar he thought, but he took it nonetheless. Bewildered somewhat though, if not disturbed, for he had an odd expression on his face, he gave little response back, if any, a shallow of one, saying: "Thanks...!" And went about and lit it.
Then Ms Molly Benton, an old friend the one that mysteriously appeared this evening, appeared you might say out of nowhere, just like that, without a warning, was sitting by him, in his shack, she wanted to try the cigar, check it out also: smoke it that is. But there wasn't much, especially not for both of them, nearly enough for one, and she had already given it to Josh. Plus, there didn't seem to be enough air in the room (this was an unconscious thought perhaps: and of course, you cannot share what you do not possess (he confessed to himself). And if there is a want or need, it is on the beholders side. Nonetheless, he hesitated, and looked stern into her face; her cute and womanly face, a face that didn't age like his, and years have passed, but she looked even younger than he knew her to be, funny he thought,
"I have an idea," she says to Josh (Josh still feeling a bit odd, as if he didn't know something, something he should know, but couldn't put a finger on it),
"…put the end of this cigar Josh into the chimney of your pipe, and then you'll have enough to enjoy of that there cigar (Josh always had a corn cob pipe he carried it along with him, either in his front shirt pocket, or in his jacket pocket, or in his pants pockets, but today he didn’t, and he searched high and low).
The mystic friend, Molly who seemed mystic to him today, looked at him pleased, and just happened to have a pipe on hand—another oddity that struck Josh as being strange, made Old Josh think twice, think that something was peculiar, not right, very wrong, something he should know, but doesn't, and would like to know; in essence, his intuition told him: something was very, very incorrect, in consequence, his lady friend pulled out a pipe, where it came from was, or is also a mystery, Josh thinking he must had blinked his eyes and she had one hidden on her person; fine, at which time Josh put the cigar—what was left of it anyhow—into the barrel of the pipe, and gave it to his Molly, his old girlfriend of sorts, a friend he had known, but again I must add, he could not put his finger on exactly who she was, she looked like Molly, but was ageless, perhaps was Molly, then he got thinking maybe it was really Sweet Pea, his ex wife in disguise, or even perhaps Nelly’ bell, that pretty young black gal that now owns a bar down in Ozark, he used to walk her down and around Goose Creek, him and Mr. Ritt, the bank owner. So he was in question who she was, really was, her name that is was in question, where they had met was still in question, and when (we of course are thinking of his past, before this moment, or at least Josh is), he is searching for that moment when they had previously met, but does not put too much though into it, he has a crisis on hand, something of a crisis, something he can’t put his finger on. He knows his mind plays tricks on him, he’s 88-years old now: mind tricks, and eye blurs and focusing, is all hard on him nowadays.
At that moment, as the friend, female friend, starts to smoke from the pipe she had given to Josh, now she has it, he starts to choke, he is spitting up something, his mind says, it is spitting up tobacco, pieces of the cigar, blood, something, like her she is doing the same, he can’t put a finger on what he is spitting up: in addition, his throat is burning, a fatal burning sensation (actually, Josh is feeling the same as his friend, another oddity he tells himself: how can they both be feeling the same anguish at the same time, at the same place over the same thing?). The best he can come up with, in helping his friend was to tell her, what he did tell her:
"Ah...here, here take some water, swallow it quickly—hold up your head, higher, higher, quickly, to cool the throat, lift your feet up (they are heavy feet, he sees this, his shoes are very, very heavy, and so are her’s) we can put the flame out, the water will put out the flame, swallow…" he’s trying to save her, and the friend did as he asked; moreover all was well for the moment.

Now, Josh walked away from the table, and its festivities, finding himself by the store next to the Jordon’s story, grocery store in Ozark, Alabama, there is another store next to it, one owned by a black man named White Magic, but he thought he was dead long ago, but the store is open, and he looking inside the store, sees cigars for sale, behind the register, also in the window, big cigars, and a selection, cigars everyplace, now he thinks: '...why didn't Molly tell me they had big cigars here, and a choice, instead of the little one, the end of a cigar she gave me, the stub?" thinking of course, it would have possibly solved the difficulty with him sharing that stub of a cigar she had given him, and not caused his and her coughing. (he noticed his feet, and her feet were no longer heavy, he smiled at her, said, ‘I told yaw so, got to lift those feet up Molly…!’

'Peculiar,' he tells himself, very odd indeed, yet it is left at that, the feet, the cigar. Then the old man shook his head, told himself to stop day dreaming, rescue himself, swim to the boat, it had tipped over in the river while he was fishing, and must had been unconscious, kind of, I mean, he felt he was pushed into the Great Food that was in progress at this very moment, down along the river, down near the deep part of Goose Creek, which led into river, he had gone into the river, as it rained, and rained and rained, and something accidentally hit him, and he fell overboard.
As Josh found himself opening up his eyes, he was also spitting out water, he saw Silas was there, in the boat, Silas explained to Josh, of what he could understand anyway: that he, Josh had been pushed down into the river by the storm (it was still raining as Silas was talking, and rowing over to the bank of the river at the same time, explaining to Josh that he had been pushed overboard into the river’s deeper part, the boat was hit by a cockatiel and he fell over board, which evidently even surprised the reptile, because Silas saw it from the bank of the river, and swam out to the boat, turned it back upside right, and the cockatiel headed down river, as if he had simply, and just bumped into a log.
He had been drowning, sinking, in the River, and caught in the mud, it all was but a few minutes, falling down to its muddy and rocky bottom—and he, Josh, was pulled out of the mud by Silas, and somewhere in-between all this, he, Josh had mentally let go for a moment and had a episodic dream; now above water, his mind reactivated, he said, “I need son to git on home, put some of that there moonshine in me, warm these old bones up; and yous know, that big fish, he lucky he did not eat me, cuz I is like leather, and he jes’ has to spit me back out.” Silas wanted to laugh, but it was hard, he just put his arms around his pa, and held him tight.




Asafetida (The Grave and he Noble: old Josh series)


Asafetida
(The Grave and the Noble)

In the Heart of Niggertown

At one time it was just a cemetery and part of an old field, and before that, a plantation, then it became shantytown, with a nickname, of Niggertown, a few miles outside of Ozark, Alabama. One might even say, the noble face of Ozark, was next door to the grave face of Niggertown. The town itself, smelled like asafetida white folks would say, (devil's dung) (a flower native to Iran, grows seven feet tall, large yellowish in color, it has a foul smell)).
Often times the young Negros, on their way to school, stood aside on the dirt road leading out of Asafetida, or shanty town, it had all three names.
The area stunk because the folks living in Shantytown threw their garbage over into the cemetery with the dead, and rats, and dogs, cats, etcetera, and if a good Samaritan wished to clean up the smell, he or they would simply go burn it sooner or later, and bury the remains.
The white folks rode their buggies, wagons, or sole riders on horses slowly when they came by the road, dirt road that lead up to the shantytown; they almost stopped to get a look at their grave neighbors.
“What, Amos would say to the passersby, often was “What youall looking for?” Then old Amos would shut his eyes count to ten, and hope by then, by the time he opened his eyes, hoped they were gone, and they usually were, if not he’d add, to his monologue, “Dont you see yet, what yous lookin’ for? Is you deaf?”
In a lot of ways, he was like Joshua Jefferson, and we all know how he is, need I say more.
In the back fields of shantytown, there used to be an old plantation, now just ruins, an old scattered foundation remained—a gutted shell of a large mansion that used to be. Even a shell of a frame for a stable could be seen, it burnt down around the turn of the century, about 1799. You really couldn’t tell were the boundaries were, unless you went to the court house, and checked with the records clerk, the fields had not been cultivated for over a half century, or longer, once quite fertile. But who ever would buy the land, needed to build a road around shantytown which really was public land, and who lived there, were called invaders, but left alone, up to now anyhow. The second choice would have been to go through Niggertown, and that would be the shortcut, and less costly. And so when the subject came up, it seemed to die out quick, the investment wasn’t worth the trouble.
Well, Josh had settled his dispute in his brain about who he was, and were he came from, he was Zam, from the Congo, in Africa, or that is what he would have told you had you asked him in 1873, four years after Charles Hightower died, and left him $3000 dollars, and a plot of land on his plantation, and he had given Emma Hightower to purchase a note book concerning the ship he had come over on in 1803, called “The Monk.”
Hank Ritt was going to buy that land back yonder; the fields I was just talking about, and renting them out. There was 1200-acres back there, a lot of land, almost obliterated as a farm, with weeds and rocks, and every kind of creepy crawler you can think of, and the Shantytown was on the edge of the property. They, mayor and his associates, were going to have the black folks removed, regardless, no matter what, and have the huts torn down, burnt to the ground, if necessary, to accommodate Mr. Ritt, for the land would be purchased by him, and the money would go into the city fund, and the Mayors fund, if you know what I mean, he figured they had free rent long enough, and Ritt needed a road into his fields, and wouldn’t buy the land unless there was an easier way to get to it, and he didn’t care to have what he called shiftless people squabbling over his intentions, or stealing his firewood by cutting down trees, or throwing garbage over into the cemetery, so the odor drifted into the noses of his tenets.
They planned on bringing dogs and rifles and bottles of whiskey to make them more brave, and thus, clear the area one and for all of these pests, niggers and whomever else was there, nigger lovers would be welcomed to be removed also, the mayor said, every soul who went on this witch hunt would earn a twenty-dollar gold piece, yes just for one nights work.

Ritt was by far the largest land wonder in the area, but what he didn’t remember, or think about, or even did it come to mind, Joshua Jefferson, that old Josh had two-thousand dollars in the bank. Not a lot of money, but enough to buy one-hundred and fifty acres of that weedy property—and he got wind of what Ritt’s intentions were, Jordon over heard Ritt talking with his entourage in the grocery story one afternoon, and he did go tell his pa, and Josh, not having really any use for the money, didn’t tell anyone, not Ritt, or his son Silas, or even Mr. Hightower, no one, not a soul, and he bought the land, put the land in the name of Zam, and he gave the record clerk an envelope, which had his name in it, as the rightful owner, to put on file, but for the curious, it remained Zam, as long as the taxes were paid on it, the deal was ok. And he gave, the female clerk, the Methodist Sunday school teacher, Molly Brown, a twenty-dollar gold piece to keep it that way, secretive, on her honor, and she gave it, she gave her word not to expose the real owners name, and when Ritt came to buy all the land up, the first one-hundred and fifty acres which stretched from the rim of shantytown, outwards were purchased. Fine, thought Ritt, but he couldn’t buy the land now, he’d have to negotiate with the new owner, maybe the new owner didn’t know who he was, and perhaps could change his mind.
Ritt wanted to know the owner so he could buy the land from him, or make life un-derisible if he couldn’t, or wouldn’t or didn’t; and Molly Brown told her pa, “This here gold piece the man gave me to honor his wishes in not telling a soul who he is, has been the hardest earned money I have ever work for.”
As it was, so it remained, and life went on. In time, Josh would sell the land, but not to Ritt.


















Old Josh and the Monk (1870)


Josh Jefferson, was about twenty-seven years old when Silas, his oldest child was born, and old doc, Doctor Benjamin Lee Ssumsky (who came from Australia in the year 1795 to San Francisco, and then found himself a wife, by the name of Estelle, visiting San Francisco, who lived in Dothan, Alabama, married her, and having enough doctors in Dothan, and not enough in Ozark, they both found themselves down in Ozark because he married that gal from Alabama, and Ozark needed a doctor, and Dothan didn’t and so here he and she was, and in time he would also, deliver Jordon, 1830, and Josh’s wife, wife Sweep Pea gave quick deliveries he told Josh. Doctor Ssumsky was a friend of Charles Hightower so Josh got a white doctor to take delivery of his children, and perhaps it was for the better she had those children when she did, because old doc Benjamin died in 1832.
In 1869, old Josh inherited a plot of land after Charles Hightower died, and $3000-dollars. What he wanted to do, is what he tried to do, in 1870, now that he had money to do it with, money he put in the Ritt bank, but kept $1000-dollars out for this special project.
Silas and Jordon never knew the story behind Josh’s slave ship journey to America, and Josh, himself couldn’t remember all of it, he had some friends old friends mostly dead now, who had come on the ship with him, but they only knew bits and pieces, he figured perhaps he could get a better view, a fuller story, he knew where the Revered Walsh was, he had boarded his ship, heard he died in 1859, but left notes on what he saw when he boarded the ship in 1803, he was what was called an interceptor, and Josh knew where the notes where, at the Georgetown College, where B.J. Walsh had graduated from, in 1801, he read that in the Gazette, paper, what little reading he could do, he made that out.
He gave Emma Hightower, Charlie’s daughter, $1000 to see if she could hire a detective to get those notes for him, and read them to him, and she did just that, and she read them to Josh:

The Monk

“October 1, 1813, we just boarded the slave ship, the captain was reluctant to let us on, but once next to her we scrambled aboard her, and looked about, and then 22-armed men came and cornered us five, and forced us off, but here is what I saw: when I looked around the ship I saw a multitude of black people of every account chained liked dogs, their countenance expressing sadness and grief, I knew and they knew their fate; and I knew soon I and my five companions who forced our way on board the slave ship would be overpowered, and thus, forced off; as a result, the dismay and suffering I knew I would have to witness fast, and I did, I almost fainted because of it; some black people surrounded me believing I was going to save them. Accordingly I noticed they were all placed in different apartments. Evidently from the time of their arrival on the ship to their departure, which is usually about three months, as they go from port to port, the crossing of the Atlantic takes about 15 days, depending, the so called cargo, the slaves were of small and sometimes in large numbers on deck, I was only on the ship for an hour or so, before I and my companions were thrown off. Some of these ships carry 400 to 600 slaves; in one voyage this one I dare say was five hundred or more, packed like sardines. I learned on this ship and others I’ve been on, the Negroes, brought aboard ship, are immediately fastened together, two and two, by handcuffs on their wrists and by irons riveted on their legs. They are then sent down between the decks and placed in an apartment partitioned off for that purpose. The women also are placed in a separate apartment between the decks, but without being ironed. An adjoining room on the same deck is appointed for the boys, there was one boy who stood out with his mother, his name was Zam, his mother called him, he and his mother were sold by the king of a large Congo tribe to the slave traders, so I was told by the captain, who said he was not responsible for the cargo, but not for slavery in particular, that their own kind was selling their own kind, to his kind. Sad to say, but the king ended up on that very ship, and so one should learn in the slave trade, there are not special black folks when it comes to dollars and cargo, the captain was worried only about losing a slave, which meant, less dollars, not the soul of the man. The Captain actually took pride in showing me a few things, saying his ship was not half as bad as a few of his companions. Meaning, of the 500-blacks, perhaps only a few would die, where as half the slaves died on many of these slave ships from disease of every kind. He and all the rest of the slaves were naked, but he had a large mole, this Zam boy, by his groin area, so if he seeks ever identification, and reads this he may know his background, but so many Negros never read, and get lost in the shuffle between Africa and their home destination. Where he will be sold is beyond me. The name of the ship was called “The Monk,” it was to me a massive grave, of confinement of flesh, and contemporary fear. Negroes were all fastened together, two by two, handcuffs around their wrists, irons riveted on their legs, I know I am repeating, but I must. They were stacked like sardines between the decks, in apartments; women were placed in separate apartments, decks and all, with adjoining rooms for the kids.

Plan for "stowage" of a slave ship

(Note: the slave ships were made for 450-slaves had 600 in them; 15- million were brought over to the Americas in 290-years.)


Josh had heard enough, Emma Hightower, also. The book was a copy, but an expensive copy. And for the most part, Josh was satisfied. He was that boy, he felt, thought, he had that mole, which really wasn’t a mole, rather a birthmark, perhaps the Revered got it wrong, in any case, Josh sensed he was Zam.

Friday, July 11, 2008

Nelly'bell (Old Josh/1867-1879)

Nelly’ bell
1867-1879


Sponge, that’s what they called him, because no one ever knew his last name, he chewed tobacco, and everybody knew it was him when he came around without looking because he spit that tobacco out, and god knows where it would land, and the odor of alcohol was so strong on him, people just jumped out of the way when they heard him wind up that saliva and tobacco in his mouth ready to spit; his wife was called Nelly’ bell, cut as a sparrow, a small lovely, shapely black woman, with a tinge of white in her blood, and perhaps a little Indian, and they’d go down to Goose Creek often, go fishing, build a fire and catch some of those catfish, and eat them. Make sandwiches and drink that homemade Alabama Moonshine, whisky that would knock out a horse after several drinks. He’d pass out always before her, and she’d take off to god knows where, and return and wake her husband up, and they’d go back to shantytown where they had a little hut, her father left her when he died. She was a good wife, so everyone thought, even Josh.
Sponge lived up to his name, he drank like a Sponge, and it seemed he never got sick, just passed out, one might have called him a professional drinker in that he was quite proficient at it. He drank all through the 1860s and ‘70s, none stop, and it was his prime time you might say.
Sometimes folks saw young Nelly’ bell, who was in fifteen years old when Sponge married her, in ’65, he being at the time, forty-six years old, folks saw them on Sunday afternoon’s out by the saw-mill, where Sponge worked.
Sponge, He had a half-dozen kids it seemed, from other wives and girlfriends, I think even he lost track of them, but his Nelly’ bell never had any with him, not any of his or anybody’s else’s up to this time.
Well one day, at the sawmill, Sponge got his leg cut off at and the mill gave him $200-dollars, and instead of him paying for a doctor and care of his leg, he drank half that sum up, he and Nelly’ bell, but before he got to the second hundred dollars, his son, oldest boy, Bugs, robbed his house of one-hundred dollars, while he was sleeping off a binge, and raped his Nelly ‘bell right on their bed while he was on the floor asleep; Bugs was fifteen-years old at the time, in 1867 when this took place, and Nelly’ bell seventeen, and Sponge forty-eight, Sponge had been married two years.
Well, Bugs ran down to News Orleans, right after the rape, and there, outside of the city, he found a job, and worked for a man Dayton Buck (folks called him Buck for short), who owned a farm outside of the city, this all was back in 1867 remember, when he raped Sponge’s wife, and ran off to New Orleans, and got hired by Buck, outside of the city limits, and had that one hundred dollars in his pockets, and there he worked, played some poker with that money, down in New Orleans, and avoided any one who might be down visiting from Ozark, just incase they heard of he rape, but no one ever brought it up to him, therefore he felt safe, and considered going back to Ozark, and visiting his father, and perhaps going into business, maybe even ask for, forgiveness.
Bugs came back to Ozark, in 1875, had enough money on him, and bought himself a farm, that was seven years later, he was twenty-two years old, and Nelly’ bell was 24-years old, and his paw was fifty-six.
Bugs planted a cornfield, and he invited his pa to move on the farm with him, and bring his wife, and they did, old woes were now forgotten I guess, unless they were hidden. Old Josh, told Bugs, “Dont be no fool now, yous got away with foolin’ around with another mans wife, sometimes God gives you a second chance, dont go thinkin’ its luck, when its God tellin’ yaw watch your step, folks forgive yaw now and then, but when yous in another mans bed, its bad news, and no one really forgets, even if they forgive…!” and Bugs shook his head at the told timer, Josh, and didn’t say a word, he was a rich man now, rich in his eyes, or kind of rich, rich enough to impress a few of the black folks, cuz he was black, and sometimes when your poor black, and you become rich black, you like to push it a bit, get the attention you think you earned.
Fine, Bugs had bought the small farm, fifty-acres, with a small house, three bedroom mansion, and sold Nelly’ bell’s house to have enough to plant a cornfield. And they all moved on the farm, more like a farm than a plantation. And he became known as a well to do person of the area, especially a man who had no real skills, a Negro, who worked for seven-years down in New Orleans doing whatever he was doing on that man’s plantation, and then he started to take Nelly’ bell to Dothan, said to his father, said he wanted company, and left his aging father with a few bottles of Tennessee Mash Whiskey. Well it was that year, 1876, when the old man died, Sponge was found dead one day when Bugs and Nelly’ bell returned from a trip, he shed no tears, and gave only a few dollars to have a wooden coffin made for him, and placed it way in the back of his farm, behind a tree, a little stone that read Sponge, no dates on it. Nelly who now kept him company all the time when he went on his trips now, to New Orleans, Dothan, and Birmingham, and even up to Fayetteville, North Carolina, he was getting used to her companionship, used to her love making. She didn’t say a thing, like his father, she just went along with it. But Josh said once to him, “Jes’ because someone dont say a word, dont take it that they aint thinkin’, that will be your mistake if-in you do.”
Across from the Smiley’s plantation was the Beck’s, white folks, and now to the other side of the Smiley’s was of course, Bugs’ place, Bugs Buck.
After Sponge died his wife, who really wasn’t that old still in her 20s started drinking a lot, like Sponge used to. She had loved Sponge in her own way, but did what Bugs wanted and Sponge didn’t really say much, and by the time he did it was really too late, he died of alcoholism. Other than Bugs, Nelly didn’t really fooled around after she married Sponge, and after her rape, she only allowed Bugs to lay with her, thinking almost Sponge didn’t care, or allowed it so he could drink and have a place to live. In all respects, she was still a woman of a good standing, and a fine shape, and her looks we not too bad at all, just a tinge pale. But things always change, and change was in the air.
Hank Ritt, who in 1877 was fifty-one years old, the city banker of Ozark, a short heavy man, thin hair, heavy looking face, came around now and then, to the farm, to see Nelly, and took a liking for the cut black woman, and so did Josh, that was perhaps about 1877 through ’78, both Josh and Ritt came around the farm like hungry dogs Bugs not liking it, but he was unable to stop it, without being hug by Ritt’s associates, and he knew it, plus he wasn’t married to Nelly, and Nelly liked the attention, and Silas and Jordon, would have liked to have stomped on Bugs, should he have tried to push Josh about, if indeed youth and age would have came face to face, and perhaps age might have dominated, because, although Bugs was shrewd, he was careless, and was only five foot six inches tall, and perhaps one-hundred and thirty pounds. No match for Josh, other than age being against Josh.
As it was, or ended up being, Josh and she, Nelly would go catch catfish, Ritt didn’t care for fishing, he just took Nelly one day and laid her on the grass and made love to her, and Ritt took good care of her thereafter, gave her money on the side, enough for her to start her own little bar down in Ozark, which was good, because most blacks had their saloon type halls in shantytown, and she would be set up proper in the city.
Bugs, perhaps like his pa, could never give Nelly a child, and Bugs was mad when she had a half white child nine months later, after that last encounter with Ritt, and she even named the child Hank, and when Bugs came back from Dothan one night, she was gone, child and all.
The few times Josh had went to Ozark, he’d stop into Nelly’s Place, and she never forgot his kindness, and those fishing days, and in 1879, Bugs no longer could take the humiliation, Ritt bestowed upon him, and he went to Ozark, in the back door of Nelly’s place, and found Nelly, and asked her, as she was among her friends, men and women alike, if they could go outside behind the bar and talk. And she did, and he raped her again, right there on in the ally-way on the ground, she didn’t fight, nor gave him all that much pleasure. And when it was over, she stood up, and she told him face to face, shoulder to shoulder, eye to eye, no fear in her whatsoever, as if she had plan B, ready to go,
“Do you remember when Josh told you, not to test your luck the second time under fire, to test it to see if it is luck or God’s hand, that you were given a second chance to take it…?” and Bugs lit up a bit, said, “Yaw, he said somthin’ like that so what?” and she said, “You’s a dead nigger, cuz I got more than you got, but I was willin’ to leave it as it is, but yous jes’ throws a gift in the face of God,” and having said that, she went over to a brink in the wall of her building, by the door she had come out of, part of the brick building she owned, twisted it, pulled out a small danger, and shot Bugs in the heart, and he fall down, and she put the gun back where it belonged behind the brick, twisted it back to its normal spot, and went back into the bar said, “Someone jes’’ shot Bugs Buck, in the alleyway back yonder,” and everyone kept drinking as if they never heard a word.

The following day, the sheriff found the body, and there was a little investigation, but everyone said they heard nothing, and it was put down as murder, but without a robbery, for his money was still in his pockets. His farm was sold, and there being no kin, other than Nelly being his step mother, she got the land and farm, and she sold it all except that little spot where her husband was buried, she took the money and built him a mausoleum and beside the mausoleum, she put on a stone, Bugs, no date, but with a question under his name, “Is this luck or providence?”



The Nelly’ bell Hymn”


Nelly’ bell, is you here,”
l say”what you goin’ to tells me—today?”
”Is it Josh or Mr. Ritt, Sponge,
or Bugs, come down to the creek?
all dressed up, kind of sleek, looin’ for Yaw—;
Nelly ’ bell”: they say,
cuz yous sho’s a fine lookin’ gal,
Yessum, the best looker, in all this
here city, I hear tell” And I says,
“You think so?” she says…I reckon so
cuz I loves them all!”

#1686 2-9-2007
(as they sang in the black bars of Ozark)

Old Josh, in: Waterford (1899)

Waterford
(1899)

In the township of Ozark, Alabama, there was an old framed wooden building built in the 1840s, that had been at the time a barrel making factory, but had stood for years vacant, a windowless building, it was owned by an Irish man from Waterford, Ireland, he was called for short Waterford, his first name being Shawn, if he had another last name, other than Waterford, no one knew it. Mr. Ritt, the banker, who owned a bank in Ozark, and one in Fayetteville, North Carolina, bought it up in 1861, and made it a stable, with many stalls to it, he purchased young colts, and sold them to the Army during the Civil War days. Old Josh was rented out to Mr. Ritt, by Charles Hightower that summer of ‘61 to tend to the stable work, Ritt was short on hands. In the summer of 1864, he did the same, that is, he rented out Josh again for the same purpose, rented out to Mr. Ritt. It was a hot summer and a trying one for the Confederate Army, perhaps a good one for Mr. Ritt, financially; day and night, the stable was active, horses being sold, and being housed, and watered and fed, and for Josh, likewise, it was a trying summer, in 1864, he was sixty-one years old, he was by no means young, and cleaning out those stables nightly on twelve hour shifts, was a lot of work and one night a stallion got loose and ran out of the barn, ran crazy like through Main Street. Tyrone, a big Blackman, who assisted Josh, for a few hours, who had really the day shift, but his shift went into Josh’ shift, purposely, so one could help the other, he, Tyrone, bigger than Josh and who had been working prior to Josh coming on during the day, Josh now coming on at eight PM, was said by Tyrone Gibbons, he, Josh was really the cause of the trouble. That Josh left the stable door open, when in essence, the horse had run out a few minutes before Josh had arrived to work.

And now Josh is recollecting this old happening, and telling it to his son Silas, as they sit on the porch of Josh’s shanty hut in back of the Hightower mansion, it is fall of 1899.
“They had the advantage over me son,” said Josh, in the cool fall air, Silas listening attentively about Tyrone Gibbons “Yessum, they know’ed it also, they have the advantage over me, they wes two of them against me, like two trained dogs. I tells them someone left the stall open…he say Tyrone Gibbons say, Mr. Ritt, it wes Josh, he did it, he the scoundrel, but he know he did it, that he is the scoundrel, cuz I say so, but Ritt he jes’ look at us both, and I hold my respect, tell Master Hightower, Mr. Ritt say ‘That there nigger of your is trouble maker, and I’m goin’ to whip him good, he done left my stallion loose.”’
“Maybe God, he done took a nap; he was sleepin’ and didnt help yaw pa that day, it sounds!”

“God, he don’t git tired, he jes’ git fed up with us all down yonder here, I reckon; anyhow, I goes hide, and Hightower finds me behind the cow in the corral, I guess Ritt he mighty mad, cuz he still is out lookin’ for his horse, and me, cuz I hightail it out of that stable and leavae Tyrone to his own destiny. And then Hightower he done shot a turkey, and he sees me hiding by the cow, and it a big mamma gobbler, that turkey is, and he dont say a word to me, he jes’ walk over to my shanty and leave that there turkey on my porch, and he leave a note, I can read a bit, and it say, ‘I dont think Ritt will be askin’ for yaw in the future, cuz I told him I done whipped yaw good, so if you sees him, tell him ‘woo, it hurt so much!’ and I eats that turkey he left, and you young ones, eats the turkey, but you dont know the trouble I gits into over that there turkey. And Ritt, he never look at this here nigger again.”

Thursday, July 10, 2008

Old Josh, in: Poor Black (the Book, first time on the Internet)



Written in Titled Vignettes



Old Josh, in—
Poor Black

(Sequel to: ‘C raddled by the Devil’: a Novel)









By Dennis L. Siluk
Index

Foreword & Descriptions
(1803-1813)

(1862-1864)

Chatting in the Barn
(And the Slave Ship)
Fiddlesticks
Old Josh, from Ozark, Alabama
(And Memories from Marcus on the Slave Ship)
Josh Laying Sick
Josh Goes Fishing

Yellow Negro
I Aint no Nigger
Josh Sings to Molly
(And the Shanty)
Joshes Ghost

(1868-1913)

Black Stranger in Town (1868)
Across the Moon (1869)
(Charles Hightower’s Death)
The Wild Horse (1872)
Hanging of Amos of Stone Bridge (1883)
Moonshine and the Devil (1886)
Last Day in Ozark (1889)
The Brown Toad Race (1898)
Autumn Quiet (1907)
((1907) (Josh’s Death))
Centipedes in the Shanty (1908-1913)
Gabe and Sweet Chile ((1846) (1909))
The Marsh Angel (1910)


Names and Places (Back of book)







Book One



Mr. Charles Hightower, 1813 (23-years old,
In New Orleans)

Foreword: Old Joshua Jefferson (known in his older years as Old Josh), born 1803, died 1907, was found in New Orleans, during the spring of 1810, he was seven years old. Charles Hightower, from Ozark, Alabama found him, like a stray dog eating what he could out of the garbage, looking for mother, they had come over from Africa, and she had somehow escaped the hands of the traders, and Hightower took little Joshua and named him Joshua Jefferson, and when he could fully understand English he explained his name to him saying, “I named you Jefferson for President Thomas Jefferson, since he was born on the year Jefferson made the Louisiana Purchase, 1803, from the French, which cost the Government of the United States a little over $23-million dollars, but added 828,000 square miles to its land mass about one third of the United States ((23% of the United States today)(which also included New Orleans, parts of Minnesota, and down along the rim between Canadian and Montana, and all the way down to New Mexico)); also, he, Jefferson, was sort of a philosopher, and Charles Hightower explained this to Joshua: saying the name Joshua also had a biblical history: Joshua of the Bible was born in a land that was not his, in Egypt, under enslavement, and in his case, in Joshua Jefferson’s case, he was brought to a land that wasn’t his, America, but back to the biblical Joshua, who was a Jew, and when Moses died, he took over where he left off, so he was Moses’ right hand man, and the most militaristic of the twelve tribes of Israel, he was a warrior, and Charles told Josh he would be his right hand man, he’d have to fight some battles in life though, and his name might fit him well for that, for his name meant: to deliver, to be liberated or to be victorious, and Joshua Jefferson would take this to heart in his own way throughout his life.”
And then went and paid for a birth certificate that read 1803, he could have been a few years older, maybe ten not seven, but that is how it turned out, and in time little Josh would learn English, and forget most of his African native tongue.
Joshua had asked Charles Hightower, what his name meant, and he, Charles tried to explain, “My family,” he started out to say, “came from England, came over to America around 1650, or so, first settled in New England, and moved on down to the South, to Alabama and North Carolina, Georgia, and New Orleans and so forth. Charles is an old English name, perhaps extending to and beyond Charles, King of England in 1625 AD, not sure, my mother’s Emily Hightower, she was born 1755, and she died a year after my birth, in 1790, it would seem her system weakened and, oh well, it’s all history now. So that’s me, Joshua.”

It was now 1862, Josh was, 59-years old according to his birth certificate, and he worked the Hightower Plantation all his living days, he had son Silas, and Jordon who was two years younger (Silas being born 1827, now 35-years old, and Jordon being born 1830 now 32-years old).
Across from the Hightower Plantation was the Smiley Plantation, owned by Mr. Jacob Smiley was 72-years old, born 1790, and his wife Maribel Smiley. Toby was the Negro slave on that plantation, the main one, there were several. And Toby was Jacob’s son, the same age as Silas thirty five, born 1827.
Charles Hightower, was born near Ozark, Alabama, in 1779, his family bought the land, 1200-acres back 1779, after the big war, the one Charles’ father fought in, down in the swamps of Florida, with Andrew Jackson, he didn’t rightly know when he pa was born, but he came over on one of those ships from England he told Charles Jr., when he was of formal reasoning. He died in 1800, he said he was 80-years old, so Charles Jr. remembered, but no one really discussed age back then. The called him C.J. or CJ Hightower Sr. or Charles Jason Hightower. Charles Hightower, was never given a middle name, his mother Aurea Hightower, her daughter Emma Hightower,

Descriptions: Josh was a thick boned man, a wide forehead, big hands, broad shoulders, six-foot two, perhaps 200-pounds. His eyes were a tinge small for his big head, and he always seemed to be in need of a shave, but wasn’t unkempt. He had big ears, and moved slow. He had a receding forehead, but enough hair to cover his whole head, not like his two sons, who had little hair to speak of in their thirties. Josh also had big feet, wide, and his cheekbones extended outward by the middle of his nose and up to his eye sockets, a square jawbone that seemed to lower itself a bit, and thick chin, short thick neck, and strong as a bull.
Silas, the older boy of the two boys of Josh, now men of thirty or more, resembled their mother more then their father, in looks, both had round chins, thinned out hair, yet it covered their small foreheads, Silas had big thick lips, whereas, Jordon had thin lips. Jordon took after his father in the lip area Silas was the more serious one of the two, and like his father had high cheek bones, but a longer nose, almost buckteeth, like his brother Jordon, who had really large buck teeth. Jordon played the Banjo, and was more mischievous. Silas and Josh never played any instruments. And they all liked to drink moonshine and dance about at night.
Continuing, Silas had large ears like his father and Jordon small ears like his mother. Silas had thick eyebrows like his father and Jordon thin like his mother. Jordon was the smaller one of the family the three some, perhaps five foot eight inches tall but robust in the chest, and hair on that chest; whereas, Silas, was perhaps five foot nine inches tall, a little thicker in body weight and bones than his brother, a fuller face also, and a little hair on his chest too.




Chatting in the Barn
(And the Slave Ship)
1862
Silas and Jordon Jefferson
Of Ozark, Alabama



“Wes at war!” said Josh ‘at war I says!”
But Silas paid little attention to his pa, it was as if he felt Josh was losing his mind this past year or two, talking just to talk, or perhaps talking to himself more than ever, for whatever reasons, perhaps attention, he’d not look even at Silas half the time when he talk, he’d just talk to talk, and kept on talking no matter if Silas or Jordon or any one was listening, it didn’t matter. It was as if something in his pa’s mind got caught and needed to wiggle free, as if he had to get it out, and talking did it. Right or wrong, talking did it, perhaps past frustration, or hidden anger, who knows, but it got out because he spit it out one way or another, either straight out or sideways, but it got out, and sometimes dangerously.
The problem being, for Silas anyhow, Josh’s older boy, there was work to be done on the plantation, and not enough workers to do it anymore, and today there was work to be done in the barn, lots of work, and if he turned about every time his pa said something, or had something to say, wanting someone to listen, and that someone was Silas, he’d not get anything done, and then Mr. Hightower, Charles Hightower that is, would whip him, will he didn’t whip him anymore, he did once or twice when he was a kid, the worse now was a slap behind his head or a kick where the sun didn’t shine. He never used anything other than his hands, nowadays, or feet, not a whip or shaving strap like the old plantation owners did, but just knowing he could and he might, was good enough. And Jordon was down is Ozark half the time, at that darn Grocery Store working.
“We is got to recover our freedom!” said Josh, with a patriotic arch in his back, and a somewhat grouchy voice, looking at Silas in the barn, then added to that, while Silas was still looking his way, “yes, I is talking to you, Silas, who you think?”
“What we want of a white mans war pa, just let them do what they is goin’ to do? Once we is free, they aint goin’ to free us down south here anymore then, than what we is today, its just a piece of paper that goin’ say we is free, but the mind of the white man aint goin’ to change for a hundred years and we is goin’ to be dead by that time, and if you keeps talkin’ just to talk, I is goin’ to be dead when Mr. Hightower sees the barn all full of this and that, gots to clean the manure before he steps in it,” says Silas.

Asked Silas, “Who says the war is ours?”
“I says—!“ said Josh, looking with a stern eye at Silas, looking and kicking a bit of hay about, pretending to work, and not really working, pacing between the wooden beams holding up the barn, pacing like the devil himself trying to think what he was going to say next, perhaps thinking about where he was going to take his afternoon nap.
“You is too much for me pa,” said Silas, adding, “pa, this here work is done, you go on to the shanty and seep it off, I think you had too much moonshine last night!”
“You young ones think we is jes’ ole ignorant folk—we is sometimes cuz if-in we known somthin’, we’d not be here today, but there goin’ to be a day when poor ole niggers like us, we is goin’ to swat the white man off us like the horse does to the fly with his behind tail,” said Josh, and picked up his cane he had laying against a pole in the barn and pretended to swat flies, and laughed, and Silas laughed and shook his head saying, “Some times pa, I think you is the funniest person I done ever known!
“I reckon,” said Josh, rubbing his eyes, “I is goin’ to take a nap and swat some more flies (ha, ha, ha—he went! as he walked out of the barn to his shanty his little hut behind the barn where he and Silas and Jordon lived).”
Yes in deed, Josh was feeling his temper rising, and lowering like a yoyo this past year, feeling his age, and his oats you could say, while trying to help his son Silas understand his thinking, but Silas was easy going, like Josh used to be, and I suppose Silas felt it better his pa sleep a little more, then he could get a lot more work done, because Josh he just walked sometimes aimlessly in circles thinking, just thinking and Hightower was starting to notice that, although he didn’t say a word, he stared enough.

As time went on, Silas learned how to listen to his pa but not listen to him (something called disassociation), this way he got his work done, and his pa thought he heard him most of the time, and Josh got his attention, and everyone was happy—for the most part; if you know what I mean by being happy, perhaps content might be a better word, but the work got done.
Silas had been a slave all his life. I mean, he looked up to his pa, respectful, but when Mr. Hightower came into the picture, he of course gave him his due respect likewise, not earned respect, but respect by rank, it was given to him because who he was, not what he was, or what he had done, for he had not done anything for the Jefferson’s, or for anybody but himself and his family. And Josh knew this kind of respect, although with Josh, Hightower was more a father figure than a boss figure, where as for Silas, he was more boss figure than a father figure, because Silas had Josh for a father, and Josh couldn’t remember his father, for the most part, and what he did remember was just the beating of drums, and folks dancing around a fire, and him being told to learn all he could about survival in the jungle, the big cats and so forth.

Cargo and Hatches

—What he really remembered, but never really told anyone, at this time, was the five-hundred or so slaves that were on the ship he was on, coming across the Atlantic, a slave ship, how the heat and the odor was horrid, that he and the other five-hundred were in a complete state of nudity, and although the Captain did not want them to go on deck for fresh air, nor even open up the hatches so they could get fresh air, the protest and sympathy for them among the ships mates, and perhaps a few absolutists at heart, was strong, and he allowed it; it was all so suffocating, people of all ages and sexes, children, women, men, old men an so forth, they all came onto deck like a storm of bees, and he was with his mother, that is what he remembered, and he looked up to her, proud he had somebody, but how did they get into this mess, he couldn’t figure it out. How did she allow such a thing to happen, and now look, fifty-years later, he is still a slave.
He wanted to tell Silas all of this, and this was why he was so profound with his anger, it was frozen anger, that now had thawed,, but didn’t have the words to tell Silas, how crowed the ship was, to suffocation from stern to stern, it was amazing when he saw them on deck, how they all had been crammed into the ships bowels, in some places children were pushed or packed into remote areas to make room for adults, not caring of life or death, and when they got on deck many had to be carried, they could not stand: that he, Josh, knew he’d never remembered, although this was something he’d had liked to forget. Eight or nine had died, and they were thrown overboard; some of the slave cargo, Josh remembered, some of the older men, and women were foaming from the mouth, hardly any room to breath. Out of the nearly twenty-days on that ship, some forty slaves had been thrown overboard; he remembered he was under a grated hatchway between decks, the space was so low that he had to—like everyone else—sit between each others legs. He remembered that he and his fellow men and women were called cargo. How could he tell his son this, and be looked upon as his hero, he couldn’t, and he wouldn’t and he didn’t.


I suppose Josh wanted to be able to have that same respect, the kind that commands because of who you are, not earned but because you stand out, above others, and other know you are you because you are more powerful than they while you both live in the same world, drink the same water, breath the same air, walk the same earth. It was hard for Josh in those years to see Hightower get that respect from his son, and perhaps Hightower knew this.
Josh stood at the barn’s door, watched Mr. Charles Hightower, the owner of the plantation, as he got ready to go to town, to Ozark, his son was with him Dylan (now eighteen years old), and Emma (now thirteen years old) his daughter both with him, and they looked at him so proudly, as if he was king, that was the look he was looking for in the eyes of Silas and Jordon.
Josh could see Hightower’s buggy stop, as he talked to one of the Confederate Military Officer’s, Josh thinking: they want him to join their regiment perhaps. Then giving it no more attention, or thought, he walked behind the barn and took a long nap in his shanty.


Fiddlesticks
1862

(The sun was rising over Ozark, Alabama, soldiers were here and there, bivouacked in pastures, plantation fields, alongside of roads, eating breakfast, marching, exercising, brushing down mares, etc. Some of the soldiers didn’t even have uniforms on, civilian cloths, they were Confederates.)
Josh was waving his hands wildly, with an old wooden stick, hollering at a Captain in a gray uniform, whom was shaving alongside the road, in his tent, as his wagon passed by his company of soldiers, on their way to the Hightower Plantation, his son, he even yelled: “We is all goin’ to be free men soon!” he yelled it from the top of his lungs, then he said, several times “Hooray…!”
Josh rode in the back of the wagon, holding onto those two sacks of salt on his lap, as his son Silas, scooted on down the dirt path, a little further, they had been to town and purchased several items there, for their owner, Mr. Charles Hightower, a retired country gentleman, who had been in these parts of Alabama ever since—or so it seemed— ever since Alabama was Alabama. The plantation was but ten miles up the road.
“Pa, you is goin’ to git us in a heap of trouble, jes’ you tote that there salt and stop name calling to the gray soldiers. You hear me pa?” Said Silas angry.
“If-in you give me that there whip I show you who I is, and you too; git them, we is got to git them out of the south for good. Hope the blue kills them all,” said Josh starting to get annoyed with Silas.
“Stop that there cussin’ pa, you is goin’ to git us in trouble I swear, talkin’ like that. You is the only one I hears takin’ thataway!” says Silas.
“Fiddlesticks, I is fixin’ to whip them there white grey folk you call friend, asks them to help yaw, see what they say? You aint got a word to say now I guess cuz I is right. Where Mr. Hightower, hes sittin’ his behind in his home like nothin’ is happenin’ he is watchin’ me like I is his cow, or his horse or his shoe or his fence,” said Josh, talkative as often he is.
“Yessum,” said Silas, “we be back in an hour or so, if we dont gits hung by the gray!
“Yes son,” said Josh, “…you keep talkin’ that way. Mr. Hightower he thinks the Lord done gave the white folk all the land in the world, only to them,” said Josh, “so they think!”
“I reckon so pa,” said Silas, exhausted from talking, and the heat of he day, then added to the dialogue, “you is gitten to be an old man pa, before your time.”
Said Josh so he could seemingly have the last word, which he gloated in getting, and often did get “They owns your flesh boy, and they wants your soul…Yessum, blind as the bat you is, they wants your freedom!”


(—They now were at the plantation, and they stopped at the wagon and Josh hobbling into the back area behind the barn, where his shanty was, and were a few other huts and workers were; there was something like a row of shanties, although his was separated from the rest. Waving his stick in the air, shaking it, spurts of mumbling came from him (not liking the Confederates), which was some ten miles back down the road now, and Silas happy to get back to the plantation. Silas dismantled the wagon, and moved he two horses into the barn, and then joined his father for a few shots of good old mountain style whisky.)




Old Josh, from Ozark, Alabama
1862

“I let ya know ‘bout that when the time come,” says old Josh, to his neighbor peering through the broken down fence, at the Smiley Plantation, only a fence separating the two plantations, the Hightower and the Smiley.
“Yessum” Toby said with a grimace, adding: “I aint doin’ nothin’ until youall let me know what you want me to do, and why!”
“Hush, Toby!” Josh says, as if he was in charge. Then looked about, looked every which way, turned his head over to his left shoulder, as if to clear his right ear, as if he was listening to something, or was expecting to hear something.
“You got to find the box that is hidden…” Josh says, with a serious tone to his voice, still listening, as if to hear foot steps come over his way, or behind him, any which way, as if this was classified information, and it was to him just that, and if it leaked out to anyone other than them two, he’d have to hightail it out of Alabama, right quick.
“Why do we got to be so quiet Josh, there aint nobody for miles around, jes’ you and me…?” asked Toby.
“You got to break that there window in the kitchen, when Mr. Hightower goes on down to Ozark, he goes once a week, on Tuesdays I reckon, you jes’ take your time, and go on up to his bedroom and under his bed is the box, I needs that there box, so I can go on North, I is going soon,” said Josh with a smile.
“Ooo I sees now, you wants me, to brake the window for youall, so I can rob Mr. Hightower of his box, and money in that there box I bet, and gives it to you, so youall can take it to the North, and then they finds me, and hangs me from the tall tree, cuz I help you, and you is in some place I aint never heard of, drinking moonshine, and laughing that Toby done took the box and gives it to you, so you can scoot where you wants to. You go and take that there boy, youall wants it, you gits it. I aint goin’ to do a thing!” Yelled Toby.


(Josh is leaning both his elbows now on the fence, taking in a deep breath, looking here and there to see who is watching and no one is. Toby now moves away from the fence, his son, also a servant slave on the Smiley plantation Todd Brown, is coming up their way, Todd wants to see his father, he is thirty-one years old, he just finished work in the stable getting Mr. Smiley’s horse ready to ride on into town. Jacob Stanley is fifty-two years old.)

“Pa,” says Todd, “If-in you wants to eat, the Smiley’s are done and we-all can go on down to the kitchen and gits what is left. The stable is clean pa, so dont worry ‘bout that. I think wes got biscuits for breakfast, I likes them, I sees it being prepared when I went to fetch you…!” said Todd, expecting his pa to follow, and perhaps Josh.
“Mr. Smiley, he done left, haw?” said Toby.
“Thats what I say…!” repeated Todd.
“What is Mrs. Smiley doing?” asked Toby.
“She is searching the house, and under the porch for rats and snakes with a broom, Clara and Dennis they is helping to clear the cobwebs off he house too,” said Todd.
Yelled Silas from a distance “Mr. Hightower he a lookin’ for yaw pa!
Toby looks at Josh, and Todd he is looking at Toby hoping whatever they were talking about can be finished later, because he is getting hungry.
“See yaw at church tomorrow,” said Todd, to Josh.
“Yaw, I guess I bes’ skedaddle before he tar and father me, the white folk they likes to do that you know, jes’ gives them a reason, and the tar gets hot jes’ lookin’ at it,” and Josh and Toby laughed, as Josh hightailed it back across the fields to his son.
Silas asked his pa, as soon as he got to him, “What youall talkin’ ‘bout up there at the fenced? I means, Hightower he been a lookin’ at yaw for a spell now.”
“Wes jes’ talkin’ …‘bout nothin’ I is nagging him, thats all, jes’ a nagging him, you is goin’ to church with me tomorrow, I hope, the good Lord he is a missin’ you lately cuz you aint been there for a month of Sunday!” said Josh, to change the subject.
“Church aint done nothin’ for me pa,” said Silas, as they walked down a slope to the barnyard in the back of the Hightower Plantation House, Silas’ eyebrows up high on his forehead, thinking about telling his father he didn’t really want to go to church, but he knew Josh felt it important for him to go once and a while, and he didn’t really one to get into a fight with him over it, and so he simply said, “I reckon it wont do me no harm once in awhile pa, but dont be expectin’ me to keep you company every Sunday,” rattled Silas, and Josh gave him a big smile.
“Is your brother Jordon down in Ozark working at that Grocery Store today?” asked Josh, he hadn’t seen him, and often he worked there, and sometimes he worked a week straight, slept in the back on a cot, Mr. Hightower allowed it when there wasn’t a lot of work on the Plantation to be done, and since the war was on, most of the slaves had run off.
“I reckon he be on his way this afternoon for a few days, that is what he says to anyway,” remarked Silas.

The Funeral
(And Memories from Marcus on the Slave Ship)

1863

Josh stood by the wooden cross, in the graveyard Jordan Macalister, his cousin, who had fought with the Yankees, had come home—come home in a wooden box, Josh was at the funeral, with his two sons Silas and Jordon, they had journeyed from Ozark, Alabama to South Carolina, Richland County; Josh was there to give a sermon, Mr. Hightower, his owner, by authority and proxy heretofore, thorough the Southern states, allowed him to migrate for the funeral from Alabama to South Carolina, he had a paper that said so, notarized indicating this Negro belonged to Charles Hightower, and it was permitted for him and his two sons to attend the funeral, by his authority.

Along with this part of the country having its share of Civil War problems, it also had its share of superstitions; from the superstition element, they were tales of terror that came out of Africa, canebrakes and jungles, out of its yellow waters, dikes and slave trade, nonetheless, Josh and his boys were there: perhaps some of this superstition coming also from the new Negro genetic pool in that area of a hybrid form, black with white and Indian blood now mixed.

Memories from Marcus on the Slave Ship

—Josh stood there, with the fifty others family members and all, and other black folks, negroes from families that remembered him as a boy, now in their 80s and 90s, remembered him on the slave ship, just like Jordan Macalister, who took the name his master gave him, he was on that ship, slave ship with Josh, he was a few years younger, Josh being somewhere around eight, nine or even ten, and Jordan being a year younger or so. Marcus Macalister was there also, Jordan’s father, he was 86-years old this year. He came out on the same Slave Ship, in 1813, with Josh and his Mother.
He, Marcus reminded Josh of Reverend Walsh that he was the one who got them to open up those air hatches for them on the slave ship coming over to America, he had been working on the ship, and had it not been for him, he himself might have been foaming from the mouth, and Josh suffocated likewise.
“I remember that big gun aboard the ship, on deck…” said Marcus to Josh, as Josh was getting ready to do his sermon. He reminded him also that there were 560 people on board not 500 as Josh remembered it; Silas overheard Marcus talking about the slave ship and all, it was all new, news to him. The old man also remembered a few of the crew spoke Portuguese, and he had kept in mind the words, they cried out ‘Viva!’ Josh listened, and he knew Marcus had to get it out, and for some reason he could, but Josh had a hard time talking about it.
“I remember brother,” said Josh, “when they done opened those hatches, all the women reached up to kiss their hands, thinking they done come to free us, even my mother did that, I suppose we ought to be grateful for the fresh air, cuz we never got the freedom!”
“Yous sounds a bit bitter yet Josh?” said Marcus.
“Yaw, I supposen I am, hard to bury that damn ship! Wes got to git on with the funeral Marcus stands aside so I can give the sermon!”
Silas was listening to all this, his eyes even got a little moist, he thought, or at least his face expressed it: I guess we really don’t know what is inside the other person the hardships they had to endure, thinking the hardships at hand are the hardest, when to Josh, life was really pleasant in comparison, maybe—just maybe, they gone through much more than they are letting us see, thought Silas, and for good reason, why ask for pity, when God let you find a way out of that black hole.


The Sermon at Mount Calvary Cemetery
By Josh Jefferson


“Jes’ before this day close Lord, my ole friend, Jordan Macalister, he done come with me on that there ship I dont like talkin’ ‘bout, you knows which one Lord, he and me, comes together—Yessum! now that there same ship summons him home, well, he on his way I guess, that there ship come back jes’ for him I bet, sure-enough; he be with you soon, from this here world before this here day is done and gone, shows him pity Lord, and save some for me, cuz I is still angry at that there ship, and I knows it, the young folks cant see how it used to be, cus it a new time now, the old forgotten, and maybe best it stay that way, and that is all I gots to say.!


Josh: Laying Sick
1863


“I is sick,” said Josh, laying quietly on his bunk bed against the wall of his shanty, covered up to his neck, he was shivering. Bone tired, dry mouth, pain in his spine.
“I know you is sick pa,” said Silas “I think I is goin’ to look for Molly, she can tells me what to do for ya pa.”
“Molly,” said Josh, with a weakened voice, an utter that sounded more interesting than his yelping about his aches and pains.
“Where is Molly?” asked Josh.
“I sees her an hour or so ago,” said Silas.
“You git on out of here son, and find that there dark eyed woman, shes alaying down yonder by the creek I bet, I sees here there now and then, tells Molly I is so…oo sick, I needs her right away!”
Silas rushed out of the shanty looking for Molly, she was a freed slave, with papers to prove it, and all the papers were signed officially from the Abernathy Plantation, Mr. Abernathy, of North Carolina, and came down to live in Ozark, a little over a year ago (1861-62) and to Josh, she was as lovely as a peacock, and only forty-years old, Molly Washington Benton.
She now worked for the Smiley and Hightower Plantations as a seamstress when they needed one, but had some medical experience in first aid; she had worked in 1860 and ‘61 for several months worked with the wounded black soldiers in North Carolina, when she wasn’t doing official duties for Mr. Abernathy.
Molly had a little hut, and a half acre of land she bought down by Goose Hill Creek, with the money the Abernathy family gave her, or so she told everyone, and she had family down in Ozark also she said, but nobody ever saw them, just heard about them from her.
How she got her freedom and money to buy the land, no one really knows, but some folks had said—all speculation of course—she was raped by a white man, a soldier who got drunk, knocked on her door in Fayetteville, and said “I come to screw you,” and it was during the day, and the sun was shinning through her window, and some folks saw him as she was pushed about, and this Private Hancock was doing the pushing, and it was also said, these good citizens saw him slap her and kick her. And when the soldiers came to find him, because he had gotten drunk on duty, and left his post, he was hiding under her bed. To keep it all quiet, the Hancock family paid the Abernathy family to free her, and give her $1500-dollars to get out of town and never return. And she did just that. She never did work long for Abernathy family and never spent much time on the plantation, because Abernathy kept her in a small hotel room in Fayetteville, for his personal reasons, told his family she was caring for the sick, and he looked to them, and she did care free for the sick.

Well, Josh got thinking, mumbling a bit (as Silas went to fetch her—): ‘here I am, not a tooth in my head, sick in bed, no wife, and this woman is coming, the only one around I like, the only one available worth looking at twice, who thinks I am…dying… (he sees her coming up the road through his hut window) ‘…here she comes like a darn nurse—a man doctor…’ he murmurs…
She is small (short), and fragile looking; like a rainbow; light brown skin, some white blood in her, perhaps, or Indian blood, something mixed anyway: as Josh always acclaimed. She always complained about Josh’s cussing, more so complain is what it really was, more than cussing, and he would agree with her he was a damned sinful man, and needed to stop it (but Josh was simply not ready to obey man, woman or beast, or at least, if he didn’t have to). If he got anything out of this showing, he was hoping he’d get some attention from her; she was kind of cute he thought; matter-of-fact, he needed a woman, perhaps didn’t need one, but would have liked one, and she was the best around. He had religious in him, an ear for a good sermon, and gave a few, a heart for the word of God, and when he prayed, he always told God he was not half as bad as any average white man, so it shouldn’t be too difficult to get through those pearly gates, that all he needed down on earth here now was his freedom and a good woman, and Molly fit the bill.
The weather was damp, it had been raining and that also sapped Josh, and now he was all of 60-years old. Just as he was feeling pity for himself, Molly walked into the shack, saw Josh laying down on a cot, the one Jordon used when he was home, not working at the store in Ozark, a window above the cot, was slightly opened for fresh air, Josh smiled and pulled up the only chair in the shack by his bed, sat up, she lifted his hand, took his pulse, wiped the sweat from his forehead—; Josh waved Silas on, to go, get out of the hut, and so he did.
“You got a slight temperature Josh, and a real sweaty neck,” she commented, and then she wiped it dry with a cloth. He never took his eyes off her as she tried to fix the chicken-feathered pillow under his head.
“You is pretty as those peacocks I sees in the magazine, Molly, does youall have a man to make love to?” he asked her, almost in a humble voice.
“You are better already, I see Josh—“said Molly.
But Josh’s mind was on other things, as Molly knew. He then got a pain and arched his back: then with his hanging hand he went to grab Molly’s dress (or perhaps it was something else):
“You aint dyin’ for a while old man,” she said, as she turned around about to leave the shack with a smile on her face, adding,
“I aint begrudging you Josh, cuz you tryin’ to do what men like to do, but you aint getting’ anything free.”
Old Josh smiled; she was right, as always, he didn’t want to marry her, he simply didn’t want to marry anyone, and he didn’t have the money like the plantation owners had, and she was expensive to keep he knew, and she couldn’t be used by men. Then she was gone. Silas then came back in the hut.
“Looks like pa, you is goin’ to die a single man!” said Silas, “but I was hopin’ for yaw.”

Josh: Goes Fishing
1863

Living on the plantation as long as Josh had, he learned where all the good spots for fishing were, and when the chores were done, and sometimes when they were not done, because sometimes they seemed unlimited (meaning: feeding the pigs, milking the cow, husking corn, and so on and so forth), he’d scoot on down to the river or creek, and go fishing for entertainment, he had a way of manufacturing his entertainment, be it with his sons, or himself. And when he didn’t like doing a certain job or chore that was when you couldn’t find him unless you went down to the creek.
There by the creek he’d fish for trout, or catfish, which ever came, he ate or whatever got hooked on his hook, he’d bring back to his shanty and he and the boys would eat, with that bamboo pole of his he caught many a fish, and it was a few times in-between all this fishing, some Yankee soldiers saw him, and tried to persuade him to join their Army, but always Josh told them he had two boys he had to support, he just left out their ages. And plus he remembered his friend, the one he just went a year back to his funeral, back to South Carolina, the one that came over on the ship with him, and his master named him Jordan Macalister.
Well, today was not one of those days where a soldier came to ask him to join, but he was thinking hard on going fishing because he didn’t like the task assigned him, he just got fed up with wringing chicken necks for the cook at the Hightower Plantation. He didn’t mine doing it, he just didn’t want to do it all day long, because Mr. Smiley left a dozen of his chickens with Mr. Hightower for him to wring their necks, and the preacher left a half dozen, and Hightower had a dozen, then he’d have to clean the mess up, but if he didn’t do it, then the cook would have to, or someone would.
He said to Silas (it was still early in the morning, close to 9:00 AM), “Why cant they find their own nigger to ring those chicken-necks, who they think I am? I rather churn the butter today, or help in the kitchen make some of that cornbread, and stir some of the boiling cabbage, not twist necks all day long, and pull those feathers out, and has to make pillows out of them, so the white folk can say ‘woo, how soft it is’ and not think a nigger done made it soft for them.”

Josh was gone now, no one knew where he was…yet everyone knew, or expected him to be, at Goose Hill Creek fishing, if not sleeping.

—Old Granny Mae Mann (79-years old in 1863), the cook at the Hightower Plantation (she had been cooking there when Josh had arrived in 1813), was making ready lunch for the Hightower kids, it was now noon, the boy and girl, had ate biscuits and honeycombed chicken, and after they left, Josh came up with some catfish, two squ rels, and asked Granny Mae to cook them for him and his boys, he’d carry them on over to his hut, as soon as she was done.
When Granny had cooked it all up, she put it in pot for him, and covered it with a cloth. Josh went back to his shack, and found out Jordon went to Ozark to work at the grocery store, he had left a note, Josh could read and write, but at a very elementary level—and Silas was up in the backwoods someplace doing something for old man Hightower. So he sat at his rustic wooden table, in his shanty, on his wobbly wooden chair and ate three catfish, and two squirrels. Then got thinking: I’ll go catch some more fish.
Well, Josh had gotten back to the creek, he tied a fishing line—after taking off his shoe—around his foot, after taking his shoe off around his ankle, laid down under a tree, actually around his ankle, and fell to sleep, he was fuller than a milking cow that had not been milked for a month.

Silas saw his father sleeping, and the string tied around his ankle, and it was wiggling, a fish was caught on the hook, and he cut the string, and let the fish go knowing Josh would stick around all night trying to catch another excited about the first catch; then, Josh woke up, “What you doing boy, you done let my fish escape?”
“No pa, it was the alligator he trying to get your fish, and if I dont let him go, I fear the gator done git madder and come up here and eat your leg, so I save you pa, Yessum, I done saved me pa…!”
Josh sits up, looks at his leg, Silas, the water, “Alligator you say, haw?”
“Yessum, a big, big one too,” said Silas with a grin.
“I thinks you is the alligator, that is my opinion!” said Josh.
“Pa!” said Silas, “nobody lookin’ for yaw yet, so if-in you gits to the barn to help with the work, Hightower, he aint goin’ to be the wiser!”
“I wonder how big that there fish was. I reckon he maybe was a whale, he done pulled my foot almost off my leg,” said Josh, Silas holding out his hand for his father to grab onto, and he did grab onto his hand, and Silas pulled his pa up onto his feet.
“Granny says you done got some catfish and squirrels for me, she say she cook them up…?” remarked, and questioned Silas.
“No, she is wrong, your fish jes’ git away and he down to the river now, the Mississippi, and going down to the Gulf, and he laughing at ya cuz he was your dinner.”



Yellow Negro
New Orleans (1863)
Old Josh got thinking after Molly left, he had laid back on the cot, Silas was out in the carrel, he got thinking of the time he went down to New Orleans, that was in the summer of 1856, with Mr. Hightower. He spent most of his time on the Warf, or pier area, bought some items, Mr. Hightower wanted. It brought back old memories of his childhood being there. His face darkly carved like a bulldog, big feet, large hands, beady eyes, and wide forehead. He walked about like an ape, hands swinging every which way, looking but not looking. Perhaps looking for something he might recognize from his childhood, when he and his mother walked the dock area.

He had been separated from his runaway wife for a long spell now, although I suppose they were never married by a piece of legal paper, never did a judge sign his name onto it that is, just common law marriage; as far as he figured it, he was widowed, and often told folks that if they asked where the boys mother was, she was dead.
Now he was back walking about in New Orleans, the very place Mr. Hightower found him in 1813, some 40-years later. Josh’s dream became quite real for him, and quite detailed. He saw many women walk by, even thought to himself: ‘What would I say to her, to any woman that got interest in me?’
He hadn’t been with a woman for –fifteen-years, and then, then out of the blue, he hears a voice, it said:
“Ha honey follow me, I’ll warm you bones for you…give you some whisky!”
He did a double take on that word…whiskey part, and turned about to see who she was, and if she was really talking to him?” a Negress had spoke those words to him, near him, he confirmed.
“What,” he said, “youall speakin’ to me?”
“Yous not white are you, behind that big black face? Cuz if you are I anit speaking to you, and if you is, I is speaking to you,” she said with a emphatic voice.

Her dress was pink and she had a seductive smile and laugh, and had a nice look to her face and a nice pear shape when she walked; Josh had Hightower’s money to buy some hoes, shovels, axes, and a plow for the plantation. His voice hung back with a laugh—
“Is you a whore?” he asked, and started to follow her. “No, I is no whore, big nigger, I is a woman of the city, who thinks you are a fine looking specimen of a man!”
“What does all that talk mean—spess-men?” asked Josh.
And before she could explain what the word meant, they were at her apartment, Josh sitting down on her cot, and her feeding him several shots of high grain whiskey, and she slipped him a mickie, something in his drink to get him smashed, sick, drunker than a skunk.
Fretfully, when Old Josh woke up she was gone and he was sick, sicker than a drunken pig; that evening Hightower found him staggering in Jackson Square, asked Josh for his money, the money he had leant him to purchase the merchandise, not seeing his hardware anyplace, looking around him some, not even a hoe, he knew something had happened.
Josh was pale as a ghost, his head looking down, sitting on a bench like a droopy jellyfish, with no light in his eyes.
“Pardon me, Josh,” said Mr. Hightower again, touching him on the shoulder, towering down on Josh’s head, “I don’t mind you getting drunk on your own time, but mine I do, especially when you are carrying my money,” he said, as Josh tired to look up at Hightower, straining to do so.
“I be better on down the road a spell, when I gits some food in me, that there alligator meat gits to me.”
Hightower looked surprised that Josh had taken off the shoes he had barrowed him, at the plantation he seldom wore shoes.
“Stand up, up!” commanded Hightower, now pulling him by the arm, Josh confused, wired, his brow full of sweat,
“Damn if the dog doesn’t bite the hand that holds the bread,” said Hightower, as they both walked in the French quarter. He knew what had happened, and in a way he blamed himself, Josh hadn’t been to New Orleans or been with a woman for a long time, and so Hightower left it at that.

“Pa,” yelled Silas, “is you having a dream or nightmare, you are moaning like a sick horse!”
Josh woke up, “Oh, yaw, yaw, I was dreaming I was in New Orleans, back in ’56.”
“Molly say, she hopes you git better and visit her some time down at the creek!” said Silas.
“She say that haw, maybe I be better tomorrow.” Said Josh with a sly look at Silas.

“I Aint no Nigger”
1863

It has been a month since Josh got over his illness where Molly had come over to assist in his recovery. And when he had that dream, about him being in New Orleans back in ’56 again; today he and his boys went to the Hightower picnic, and there he got to talk to Molly, and he was hoping to see Aunt Bessie, she’s helped raise Josh’s boys, she’s the same age as Josh, the picnic was good, and Josh is now back from the river picnic, talking to Bessie, asking a few questions by the fenced in the carrel area, Bessie’s brother, Malcolm works for the Smiley’s, as does Bessie. Bessie kind of likes Josh, and knows he likes Molly.


Back from the Picnic


Says Josh to Bessie, “We all, me and my boys and I been down by the river fishin’!” (Josh a little drunk)
“With who…” asked Bessie?
“With me, and my boys, I jes’ tells you that.” Said Josh a bit irritated.
“Did you talk to that Molly girl?” asked Bessie.
“Me and Silas and Jordon and boss Hightower, and some white folks, we down there fishin’, caught a turtle, and I drank their whisky, and helped pour the white folks whisky, and Molly she say hi, and I say hi, and then I say by. Why?” Said Josh with a laugh, because he made his last words rhyme.
“You aint funny Josh Jefferson, why you bein’ nice to white folk?” asked Bessie.
“Cuz they is good to me today, they done gave me five dollars and all the whiskey I can drink, and Hightower he like my pa, cuz I never had one you know; I mean sometimes he is, and sometimes he is now. What kind of answer yous want?”
“You aint give me a straight answer Josh,” remarked Bessie.
“Cuz I aint straight Bessie, I is drunk, what youall expect?” Said Josh, as her brother tried to pull her away, and take her back to their hut on the Smiley plantation, Bessie had been waiting for Josh all day

“Come on home Bessie, Josh, he done change his attitude, he like those white folks, he a real nigger now!”
“I aint no nigger to nigger,” said Josh, “if you needs a whippin’ to prove I is a better man than you, we can start it right here, and Bessie gits to see her brother beat up by a bigger nigger than he. So you watch your mouth, while you can.” Said Josh, and he meant what he said, and Malcolm knew he meant what he said, and Malcolm was ten years younger than Josh, and three inches shorter, and fifty pounds lighter than Josh, but Malcolm just stood staring at Josh silent, unsure of his next move.
All of a sudden Malcolm threw a punch at Josh, and Josh just grabbed his fist with his big hand, and with one quick twist, and jerk upward, Malcolm leaped a foot off his feet, and you could hear his wrist crack, and when Josh let go, Josh picked him up like a bundle of hay, and tossed him into the horse carrel.
“Your brother he is drummer than I thought,” said Josh as he walked away to his hut.


Josh’s Songs to Molly
Summer of 1863


A few weeks after that Hightower picnic, that is, the gathering down by the river, when Josh had come back to the plantation, and Bessie and her brother had a little confrontation, Josh had went back to his shanty, and made a song for Molly
They, Joshua and Molly are now sitting on the little porch, that porch Josh built in the 1850s, for days just like this, he’s be owing Molly all summer long, and finally she has come to his shanty again, to hear his song, and Jordon will play the banjo to liven the romantic mood up:


The Mocking Bird Song
By Joshua Jefferson

”Tonight she comes to the arms
And ole Joshua Jefferson, he happy
Like the cooing of the mocking bird
As the mocking bird sings…!Tonight she comes to my arms
Do you knows what that means?

I dont worry what the bird say
They like the eagle beak, trying
To listen to everything, so they
Can go gossip, tell what they see:
Wish I could take her today, my
Molly Washington Benton, down
To Louisiana, to New Orleans,
Hush those mean mocking birds
Clip their wings, send them home
To their mamma, one way!


“Oh, that is jes’ fine Joshua, not sure what it all means, except you think the mocking bird is nice, but he gits in your way, and that is not so good,” said Molly.
“Well,” said Josh, “I was trying to say, I likes you a lot, and here, take this glass of corn whisky, Granny Mae made it a few days ago.” And she did take it.
“When did you get your own hut, I mean, all the other slaves got to sleep with one another?” said Molly.
“Yaw, I suppose that the way it looks, bit it was back in 1823 I was a- longing for a place of my own. Mr. Hightower, sees that, and he say, ‘Joshua, I is going to separate you from the others, cuz you are my right hand man, I was but twenty-years old then, worked for Mr. Hightower for ten-years, he in his thirties I think, maybe more, I cant remember, and so he had a hut built for me and he gave me a gives me a steel cot, and in years I buy the bunk bed when Silas and Jordon was born, and I build on the back pantry, to put my coat and shoes in, but I don’t like shoes, Mr. Hightower buy me a pair, ten years ago, wore them twice, two funerals. Then I build this hear porch about five years ago, and the garden jes’ before the porch, and that is about it, oh—I puts in the window by the cot, in 1842, so I can see my garden and not have to out of the hut,” explained Josh.

“Fine,” said Molly, “but I reckon I best be getting on down to my little house by the creek before it gits too dark,” and before Josh could get up and try to kiss her, she was out the door waving goodbye to him, and Josh mumbling, ‘she faster than a rattlesnake.’”
Old Josh’s Ghost
Winter of 1864
Josh is sitting on his wooden porch, the one he attached onto his shanty several years ago, he’s talking to Mr. Charles Hightower, they seldom talk, but when they do it seems to always excite Josh, I suppose it is because in his own way, he has been given a little more respect, regard than the other slaves of Mr. Hightower’s, fellow slaves that once worked for Charles, there really are no more slaves on his plantation, just Granny Mae, and the Jefferson’s now, and the slave days are almost over.
Times are changing, Mr. Hightower is now seventy-five years old, and Josh is sixty-one, when they had met in New Orleans, Josh was ten, and Charles was twenty-four years old, a handsome aristocrat looking gentlemen, and he still was, but old, and his face no longer smooth, and Josh always remembered that; but he still had a mustache and a light beard.
Mr. Hightower’s buggy is sitting outside of the plantation fence on the dirt road, ready to be driven into town, to Ozark.
“Thought I’d stop by to see how you been Josh, are things ok with you and your family?” asked Mr. Hightower.
“I saw an ole ghost, he appeared to me the other day, Mr. Hightower,” said Josh, “the devil and his demons was in this dream also they his friends, he tell me they got different kinds of people in hell, and they got pastures, but I know they is full of fire,” says Josh, and Mr. Hightower smiles, he knows Josh likes to imagine things, and talk, and it is his way of entertaining himself.
“That there ghost was ole Henry, and I hears him say, ‘I is glad to see you Josh,’ but I aint glad to see him, Mr. Hightower, and he knows it, Henry Clayton, he used to live down yonder, by the ole fishin’ hole, by the creek, drinkin’ all the time, died of some kind of stomach thing, from drinkin’ and I tell him, Henry you stay dead, I don’t wants to see you…” chatted Josh.
Mr. Hightower didn’t really know what to say, he had just stopped to see Josh, as if he was his son almost. He saw then, Josh was getting a bit eccentric, like old Mary Lincoln, Father Abraham’s wife, up there in Washington, so folks talked about her, said she was a bit on the odd side.
“In the war of 1812, the war folks all forgot about, I was in it for a short time Josh, and I used to have dreams, perhaps delusions, I don’t rightly know, but I got these nightmares also, where I saw demons and other such things, too much stress on the mind and body does strange things, you raising two boys, and a wife that run off from you years ago, and your mamma who died on you, and that ship that brought you over here, is having its toll on you these years. Listen up, I am going to leave you this land, four acres of land and this hut and $3000-dollars when I die, you’ve been a good man all these years, I’ll leave it in my will, give you a copy of it, and maybe old Henry will disappear someday,” said Hightower.
And Old Man Hightower simply put his hand on Josh’s shoulder, said, “It’s been a busy half century together, hope we got a few more years together,” and walked away to his buggy. Josh just looking, wanted to finish his story, but was taken in by Mr. Hightower; he was the only one that could almost make him stutter and he was the only one Josh would stop and listen to.


Black Stranger in Town!(Spring of 1868)
In the Spring of 1868, Abram Boston, Josh’s brother in law came into town, Ozark, to find Josh, he heard he was still at the Hightower Plantation, and headed on out there (his sister being Josh’s ex-wife, Rebecca Boston Jefferson)

“Say Mrs., I’m looking for a Joshua Jefferson, I hear he works on this plantation?” said Abraham Boston, to Mrs. Aurea Hightower, who was working out in front of the plantation house on her garden, with her daughter Emma.
Emma looked at him, he was a black stranger, with a big smile from ear to ear, and she answered by saying, “I reckon he may be in his house, back yonder by the barn, and who you are?” she asked.
“I is his brother-in-law, and I came all the way from New Orleans to see him.” Abram said in a quiet voice.

Old Josh had seen the stranger and was hiding behind the cow corral and by some jimson weeds, he looked familiar but he couldn’t see all that well, it was a distance. The stranger stood looking, chewing tobacco, glancing toward the barn, as Mrs. Hightower pointed that way. The Abram saw Josh hiding behind the corral post, and started walking his way, said with a yell,
“Haw…Josh its Abram! Your brother in law!”
Josh continued to conceal himself, even though his brother in law saw him. Abram walked right up to Josh, looked him deadeye into his face, said, “Josh, why you hiding, don’t you remember me?”
Old Josh still remained quiet. Then Josh hollered at him, “Keep right on goin’ dont look back, I dont need your kind here!”
“Well, I reckon I cam-a long ways not for nothin’…” said Abraham still chewing his tobacco, while listening off and on to the mockingbirds singing on a nearby magnolia tree.
(There was dust in the air blowing about on this early spring morning, the scent of flowers filling the air and Josh wanted to lay down, didn’t really want his day disturbed; wanted to go fishing later, he was set in his ways, and here comes a stranger, yes a brother in law, but really a stranger, he hadn’t seen him for 25-years, now coming up the road on a sprinkled old horse, ties it to the fence, talks to his boss lady, and now is at the carrel for whatever reasons he didn’t know, and didn’t want to know, because it would cost, it always did. His second sense it was somebody from the past, back when he was married, who wanted to use that for some reason to get into his pocket,.)
“Looks like you are still a poor man, and its 1868, the war is over why you living like a slave?” asked Abraham.
“I’m goin’ on seventy-nine years old, Josh,” he said, as if his days were numbered—then spat into the weeds some of his over moistened tobacco he was chewing.
There was a shadow of gloom on Josh’s face, and a bitter sneer that he tried to hide.
Again out of instinct, or second sight, Josh invited Abram to his shack, for a drink of corn whisky, and as they sat on Josh’s porch (Abram noticing his two room shack, still chewing his tobacco, slowly, Josh noticed Mrs. Hightower had departed, went back into the house, after she saw everything was fine).
“My sister did you wrong Josh, com with me to New Orleans,” remarked Abram you can live in a big house with me and my kids, my sister she’s up north I hear, in a place called Minnesota.”
Then Silas come by, and Josh introduced their uncle to them, and Abram gave Silas a five dollar bill, saying he missed all his birthdays, so this was to make up for it.
Both Josh and Abram fell to sleep on the porch, drunk, and when they woke up in the morning, his spotted horse was in the carrel, and had been fed by Silas.
“Nah…! All right!” shouted Abram, in a rustic voice, as he stood up, flung his coat over his shoulder, spat out some tobacco onto the dirt a few feet from the front of the porch—put on his hat emerged onto the road in front of Hightower’s house, Josh had walked his horse up to the fence. At the same time, old Josh turned his head to see what his son was doing; he heard a noise in the hut, said to Abram,
“I hope Silas aint pick up your bad habit on chewing tobacco, cuz if he has, I goin’ to look for ya and throw all that tobacco away,” Abraham just laughed,”… just like you used to be,” he said, and mounted his horse and rode of.
And old Josh was happy as a bee with a bucket of honey, and ran back to the shanty to get his fishing pole.


Across the Moon
1869

Charles Hightower died in the fall of 1869, eighty-years old, leaving Joshua Jefferson $3000-dollars, and four acres of land, starting from where his shanty was; Dylan Hightower, his son now 24-years old, the same age Charles was when he met Joshua, was in charge, his daughter Emma 19-years old, his wife, Aurea, being forty-eight years old, they would continue to live in the Plantation House, but the days of heavy planting, and big crops were over.
Emily Hightower, Charles’ mother, born 1755, died 1790, died young, at the age of 35-years old, it was her dream to see the plantation strong and in its glory, Charles brought it to that stage, and he always felt proud, for his mother’s sake to have done it. His wife Aurea, was different, her pride was in her children more so than her husband and plantation, like Emily’s was; priorities for each person are often times different. Emily always said, God was first, then her and her husband, and then the kids, and then the plantation; she had it down to a system, Aurea, although a good wife, and excellent mother, never really had a system.
Emily died one night in bed, no one around to watch her, the doctor was downstairs having coffee with a few shots of moonshine them, and not really paying that much attention to his patients symptoms, evidently Emily couldn’t breath for ten to fifteen minutes, because that was the time period the doctor had life his patient alone, who was in a crises mood. When she died, died because of the doctors, carelessness, her Husband, Charles Jason Hightower, shot him I cold blood, shot him dead right at the table where he sat and drank his coffee mixed with whisky, shot him three times in a wild stupor.
The judge said, “We would have hung him anyways, for incompetence, you saved the court time and money Charles, go and have a good day, case dismissed, under the old law of, your weapon misfired, while in a fit of anger, fired accidentally, cuz I’m sure that your intentions were not to kill him, even though he deserved hilling.”
And the judge after Hightower left the court room, told the scribe not to write down the first part of the minutes of what he said, and to let him read it afterwards, in case he needed to fix a few sentences.
Josh still helped around the place, he had come to the conclusion he was going to die there, right on that plantation, it would have been too much a strain for him to have to try and start over in life. He was familiar with everybody and everything in that area, it was his home, and no longer angry at the ship that brought him to America, Mr. Hightower had made-up for that, I guess. He had a new light on the matter in 1869. Silas would remain on the plantation, and do most of the work, and watch over his father, while Jordon spent most of his time at the Grocery Story in Ozark, as a clerk, sleeping on a cot in the back of the room, and flirting with the negress’ as they came by to say their hellos.

Asked Aurea, “Josh, do you want to attend the funeral?”
“It wont be necessary,” he said sadly, and walked away, not to be impolite, but he was starting his grieving process I believe, Aurea heard him mumble as he walked away, “I can sees it from my shanty.”
The old Hightower cemetery was on a slope in the fields, with a fence around it. Someday, whoever bought the plantation would perhaps have to move it back farther, unless they wanted to leave that little patch of land, with several trees around it where it lay, and it was like an oasis, in the middle of the field, and nobody wanted to cut all those tall trees down, and try to even out the mound.
Joshua and Charles saw each other almost everyday for 56-years, more than his wife, children, and business partners, more than anyone alive; it would be hard on Joshua, but once buried, once Charles was six feet under, he, Joshua would do what Charles told him to do: not look back.
“Flowers, I’ll pick some flowers,” said Josh to himself, out loud, he now was 66-years old; still spry and youthful, his bones strong, his face showed time had passed, but not bad.
That night after supper, he walked into the fields, up that mound, and looked at the gravesite, the hole had already been dug he noticed, folks were coming from town all day to say their goodbyes at the house, where his coffin lay in an upstairs guest bedroom. He took in a deep breath, almost breathless before, stood in front of the hole, its edge, dropped his flowers into it, geraniums, blurry eyed, he said, “He be a coming Lord,” his reed-stemmed pipe in one hand, a bible in the other, looking down into the hole, “Yessum, he be a coming soon, tomorrow I expect Lord, his wife Aurea, she say so (Aurea was behind a tree crying, silently, she noticed Josh there, but did not say a word, and perhaps Josh knew she was there, but he did not say a word) but he dead, and we all some day goin’ be dead, so I be seein’ him soon I expect; he done took me out of hell in New Orleans Lord, and he tell me one day, ‘Josh, don’t you look back, its all up front now, nothin’ back there son,’ Yessum, he say son, and I try not to look back, but sometimes I cant help it, but he right Lord, aint nothin’ back there worth looking for or at.”

And Old Josh looked up, and sure enough, He saw Mr. Charles Hightower, or at least he’d swear to it, “There he is, he a riding his horse across the moon,” and he said it in a tinge louder than a whisper, and his wife, hiding behind a tree, watching everything, looked up, and she also would have sworn, at that very moment, her husband was on an old spotted horse one they had in the barn that died a few weeks before Charles had, there, crossing the moon Charles and the horse rode. Perhaps just as figment of their imaginations, but for that one moment in time, it was real, a real greeting, perhaps from beyond the living.




The Wild Horse
1872

“Git away!” yelled old Josh, kind of yelled, in a loud mumbled way, Mr. Hightower was coming near the corral as the horse pulled the old Negro around in circles like a rag doll, Josh being 69-years old, and thinking he can still do what he done when he was twenty-nine, or thirty-nine.
The horse snorted like a train in high gear but Josh hung onto his bridle, the harness, at the horse’s head, trying to restrain him.
“Let him be,” said Mr. Hightower, Dylan Hightower, the son of Charles Hightower (Charles had died three years prior),
“He’s too wild Josh, he’s goin’ to kill yaw, and my paw would kill me for letting you ride this beast!”
“No sire boss,” said Josh with a stubborn grin, “I is goin’ to show this horse who the boss in!”
Dylan looked at Silas and Jordon, “Can’t you do something, I mean he’s an old man, he’s going to kill himself,” said Dylan.
“Yessum, I understand Mr. Dylan, but me pa, he stubborn like a mule, maybe this horse will teach him a lesson, but I try my best…” said Silas, then yelled at Josh,
“You let that horse alone old man, he goin’ kill yaw!”
Old Josh just laughed.
“I reckon so,” he mumbled under his breath, as the horse kept glaring with his big dark eyes at Josh, and Josh doing the same thing back; a quick calculation of how long the old Negro would last was going through Dylan’s head, and it looked like t he horse knew something was up, that perhaps it was a kind gesture by the horse that the old man wasn’t giving him a lick of trouble that was worth much, so let’s have some fun with the old man, and the horse would calm down and then go wild again.
Then all of a sudden, the horse got tired of playing around with Old Josh, lifted his head (as Hightower repeated his warning to let the horse go), the horse now irritated, snorting, rose his head up higher, lifting the old man to his toes as he hung on, held on tight, holding the head of the horse like a snake, being lifted up and down like a yoyo, falling now and then against the fence, but not letting go (Hightower, now seeing enough of this, climbed over the fence, fearing the horse would run wild throughout the fields, after he killed Old Josh, should he open the gate, with Josh’s body being slammed against it).
Old Josh was mad, stubborn, like the horse, thought but Hightower knew the winner was not going to be Josh.
“I is goin’ to ride this beast, this wild horse,” said Josh in a challenging way.
The horse now eluded Josh’s two hands, and old Josh fell back, but dodged the hooves of the stomping horse, unbroken, and newly purchased by Mr. Hightower, and now Dylan Hightower was in the same corral Josh was in, and the horse saw this, and Josh didn’t get all the attention now, laying on the ground, the horse free of him.
The horse now was running in circles with a gleaming tongue as Josh tried to grab the rope, and did grab the rope, hung loosely onto it, from his unsuccessfully though, because the horse started to drag him, and he had to let go, and Hightower was trying to calm the horse down, hoping Josh would leave the corral willingly, and waving to Silas to come in and get his pa; but then Josh leaped, grabbing onto the rope, a second time, as the horse passed by him again; the horse now found his weight easy as pie to drag, and thus, dragged him in the mud around the cage like a rat. Then suddenly both man and beast stopped, both vacillating, the horse lowered its head, and before the horse lifted it again, Hightower grabbed Josh by the back of his belt, pulled him free of the horse, as the horse burst out and upwards on his two hind legs, now Silas was in the cage, and they both subdued Old Josh, and Dylan simply said, “You don’t have to prove it Josh, we all know you’re the toughest guy in town, just don’t do it again, I don’t want to have to bury you by my pa before your time.”
(Nearby, there were a few neighboring onlookers, a few youths walking down the dirt road out in front of the Hightower Plantation. They stopped to catch a glimpse, but dared not enter Hightower’s premises, lest Josh scorn them. The Pandemonium had stopped as Josh was now on the other side of the fence.)



The Hanging of Amos Jackson,
Of Stone Bridge
1883
Amos was born in Ozark, Alabama, lived in back of the cemetery, he often worked for Silas, Old Josh’s boy, in picking cotton for Mr. Hightower. Also worked for the Smiley family, there was a shantytown of sorts there, where huts, where the main building structures, and Amos’ hut was built right into the side of a hill, similar to a dugout house, but only half his house was considered a dugout. There were old dirt roads that lead into the shantytown, one in particular, had an old stone bridge on it, thus, that is how the town got its name, in 1863, “Stone Bridge,” the confederate military had built it, for a quick runaway incase the Union soldiers were chasing them: this way they could lose them in the chase.
Most of the shantytown was built out of sticks and stones, wood thrown away in Ozark, dragged all the way out to Stone Bridge by horse and cart, or donkey or cart, or mule or cart, and even some carried on the back of Negros that lived in the shantytown. It was the year of 1883; the summer heat was getting to everybody. Wild was Ozark, and its youth.

Most of the folks that lived in the shantytown threw their garbage over into the cemetery, and that was the hideous odor folks talked about, when they rode by the cemetery, sniffing it like dogs, and telling jokes in the saloons in Ozark about it coming from the huts of the Negros, consequently creating discontent among the masses.
Hence, it was on a hot evening, prior to dusk, several young white bucks from Ozark, came riding through the shantytown, of Stone Bridge, creating havoc.
You might say, Old Amos, was similar in ways, like Old Josh, but perhaps a less wiser person; but he had Josh’s temper if anything, and liked a good argument, no hair as they say, on the tongue—during such times. And as these young bucks trotted through the shantytown, whisky jugs in one hand, pistols tucked into their pants, behind their belts, against their stomachs, drunk they all started to make advances towards the black young women of the shantytown, and Amos saw one of the white boys leaning against a hut, with Ashley in his arms tightly around her shoulders and across her breasts
Saying: “I’m going to screw you right here and now.”
He, the young white lad, had a jug of moonshine in his left hand. Without any more a due, he walked up to the white boy—Amos (the white boy having his pants down, and trying to have intercourse from behind her) grabbed the jug of whiskey from him, splashed it all over his face, getting it into his eyes, as a result, he let go of Ashley, and she ran down the road, across Stone Bridge, and that was the last he saw of her for the night. But the boy was upset, and Amos, simply sat down on a huge rock, and laugh, drinking the white boy’s whiskey. Rape was common, even more so now than during the Civil war, which had been over for less than fifteen-years.
A few minutes must had passed, when Amos got up off that old rock and started to find his way out of the shantytown, it was vacant now, everyone had run across the bridge and were hiding.
There was a gun shot, its blast of energy passed old Amos’ ear, scared him so, he fell flat on his face, right there in the center of the dirt road, in the middle of the shantytown, and when he looked up, there were several white faces, facing him, it was now twilight. (The Bullet had left a tingle in his ear, so he couldn’t hear clearly what the boys were saying.)
That night, the boys tied Amos with a rope around his shoulders, and one around his neck, and one around his legs, it looked as if he was hogtied, and he was put on a wooden gallows; they had build sometime ago, therefore, he did not die fast at all, it was slow. And Josh, having went down to see him at his shanty dugout, it being the third day he was hung on that tree, down by Stone Bridge, still hogtied onto that tree, Josh not able to save him, or watch him die any longer, cut the rope around his shoulders, and as a result, his body fell a half foot, just enough to where the first rope around his neck strangled him to death had he lived, the white folks around would have hunted Josh and his boys down, and he knew that (his Tombstone read, born 1803, died, 1883). His son, Amos Lee Stonewall Jackson, born 1860, died 1911, was there to take his body down on the forth day).



Moonshine and the Devil
1886
Old Josh drank his share of moonshine, but was no drunkard according to him, and rightfully so, because he never really drank if he had work to do; he said he never craved it, he just liked it at night, said it helped him sleep, and right after that flintlock situation he wanted to prove it, matter of fact, he preached against it, believe it or not; one day, at the local church, he said in his sermon, that he gave after the preacher got tired, and wanted someone to talk about the evils of man, and Josh was always willing, and that day available, he said (and folks kind of thought he was a hypocrite for saying what he was going to say, but he also explained that):
“The devil he takes the fight out of the man, by feedin’ him with the moonshine. He done plays a trick on yaw all, he knows if you is, or if you is not the man to get drunk ever day. The devil, he even knows me, better than I knows me, says ‘I cant stand that Josh, cuz he dont drunk too much moonshine when he a-workin,’’ so you see the devil is not me boss, so I tells him: you is killin’ your time with me, cuz I can out drink you, and not drink tomorrow, he dont like that, he wants you boys and girls to drink all the long day, the moonshine; I is an ole timer, I can drink cuz I is used to it, but you is not, and the devil knows this, so he is waitn’ round the corner.”
It was a day, Silas and Jordon was proud of their old pa, and they showed it when they got home, they hid the moonshine, and Josh went crazy all night long, until he said the next day, “I is your pa, and yous got to tell me where the jug is, cuz the devil goin’ to find it, and gives it to those young ones at church, and he knows I can drink and not drink, its up to me.”
Well, Silas and Jordon felt sorry for their pa, and went to the back pantry, on a high shelf, where that there old flintlock was hiding, and pulled the jug out from behind it, and gave it to Josh, he was as happy as the rat in a hole with a ten-pound block of cheese.



Last Day in Ozark
1889-1890

A day in Ozark, it would be the last day Joshua Jefferson would ever spend sin Ozark, Alabama; it was in November 24, of 1889. He was all of 86-years old, and in the 76-years he lived near Ozark, he had only been in the city a half dozen times, and to him that was enough, but his previous times, the times before this time, which would be the last time, was some forty-years ago, take or give five this or that way.
Today, November 24, was his birthday, and he came down to see Jordon, who worked at the main grocery store, they were going to surprise him, and go have a light lunch someplace, all three of them: Silas, Josh’s older boy was with his pa.
He, Josh, looked about the city, and came to the conclusion it had all changed, since last he was in town. There were now beggars on the street corners with tin cups, a blind man was selling pencils, store windows had toys in some, in others underwear, clerks as young as he was when he first came to America in 1813, found in New Orleans like a stray cat by Charles Hightower—were taking orders from customers. There was also a park, where forty-years ago, there was none. A new courthouse, perhaps not new, new for Josh, new since the last time Joshua was in town anyway; the more he looked about, the more he wanted to escape, it was like being on that ship that brought him to America, he was becoming suffocated.
He had come to Ozark, for three reasons: one, to see his boy, Jordon and he along with Silas to have lunch with; two: to pick up some medicine from Dr. Sharp, for Mrs. Hightower, she was getting sick again, each fall and winter, since her husband died some ten-years ago, she got sick more often, and at longer lengths, that is, it took longer for her to recover; and third, to see how Ozark was doing, the town, the city itself, how it might have advanced, and now he was sorry he came for that reason in particular, and for that matter, the other two reasons Silas could had taken care of, because Jordon was nowhere anyhow to be found.
Josh paused at the Grocery Story, where his son worked, there the owner was, he had met him once, which was the time he had asked Josh if Jordon could live in the back room part time, as he worked during the evenings on inventory and so forth, and be security for the place at night, at times the owner had large stocks of supplies. Josh told him, it was ok, but should he find out he was using this time to do un-virtuous things, he’d grab his boy by the ear and take him back home.
“Hello Mr. Jeff Madison,” said Josh, “I is lookin’ for my boy Jordon, I cant find him in your store, yous know where he is?” said Josh.
“He left for his lunch, perhaps in the park; Silas, you take your paw on over yonder there (pointing at the park) and I bet you two-bits he’s there!” said Mr. Madison.
“Sur’nough Mr. Jeff, I do as you say, and see if he be there,” said Silas, and grabbed Josh’s hand to walk away; but he wasn’t there to be found.

There was a chill in the November air, and Josh pulled up the back of his jacket, a new one Silas and Jordon put money in on, for Josh, he pulled up the back of the jacket so the cold air wouldn’t hit his neck, said, “I hate to be like them, they is like bees looking for their honeycomb, all done lost their way home I swear,” said Josh feeling the impact of the people around him, staring at him, even though Silas would have told him, had he asked, they are just passersby, like the birds in the air going from one tree to the next, it was all cultural shock, he would not believe they were not abruptly paying attention to him, it was all a new scene, and to diminish it, he needed to get out of town, and that is what Josh demanded, and left with no more of a search for Jordon, other than a quick look in the park.

When Josh got back home, back to the plantation, Dylan Hightower, Charles’ son, took the medication up to his mother, unknowingly at the time, she’d be dead in 42-days, January 4th, 1890, she, Aurea Hightower, would die in bed—weakened by the weather, the stress of life, she was always a tinge fragile anyhow, and life in general was hard on her but she was 69-years old, and that was not bad for the times.



The Brown Toad Race
(Summer of 1898)
“Thats right,” said old Josh, “it aint no fun unless you bet!” “Got me a toad already, Yessum I do, fifteen-dollars I paid for this here toad, he goin’ be the winner tomorrow at de toad race…!” said Silas. “That there toad aint worth fifteen-cent son” said Josh, “what if your brown toad git lazy on us…!”
“How so?” asked Silas.
“Give me some of that there corn whisky” said Silas to Josh, “cuz I dont git too excited when I win that there $100-dollars, with this here toad of mine, and youall goin’ wish you invested in my toad, you and Jordon, he like a firewood pa,” said Silas annoyed with is father, both sitting in the shanty looking at the toad in a wooden box on the table, Jordon sitting on the porch playing away on his banjo.
“I can make him jump all the way from go to end, paw, jes’ you wait and see, tomorrow, at the races, you goin’ say: my boy Silas, he got one of those quick jumpin’ toads for sure!” said Silas to Josh.
“Naw, I dont believe this here toad got all that motivation in him son, he look like he want to eat and sleep his life away, lazy as alligator, who eat all day long,” said Josh.

Josh couldn’t think of what he wanted to say, hesitated for a moment, so there was a long pause, then abruptly was going to continue, when Jordon had come in to make fun, or fun at the cost of Silas’ toad, Josh was about to said something, but instead Jordon said: “That there toad puts me in mind of an old pigeon I used to have, I never will forget either,” Josh and Silas turned to look at Jordon, who seldom was around to give his opinion on any such matters, “So say what you is goin’ to day brother, so me and paw can argue some more on this here toad (the year being 1898, and Josh being, 95-years old).
“Well, that there pigeon of mine, I bought from a man who came up to Ozark, from New Orleans, I gives him a buck, one dollar, no more, he say yous got a king pigeon, and there aint no pigeon better than he, like the man tell you when you done gave him all you wages for six months, and give you that there lazy toad, look at him he sleep all right, anyhow, that pigeon of mine, flew back to his boss, and I ran after him, and when I find the pigeon, I find he done called the pigeon back, and he was cooking him in soup so I cant find him, so I say: Mister, you go this way, and I go that way, and maybe we find my pigeon, and he say ok, and the pigeon he is in the soup, and when the man goes that way, I grab the soup, and run to the grocery store, and eat it all in the back room.”
Said Silas with a grin, “So what you expect me to do, eat the toad in toad soup?” and Josh and Silas laugh. And then Jordon starts to laugh, and the toad jumps out of the box while they are laughing, and Silas notices and runs after the toad, and he gets under the porch.
Says Silas, to Jordon, “You done talked so much, the toad got smart and hightailed out, you should pay me for keep us busy why the toad figured out his plan.”
Said Old Josh, laughing, “He goin’ meet us at the fair tomorrow, at the race place (Ha, ha, ha).”


Autumn Quiet
(The Death of Joshua Jefferson of Ozark, Alabama)
1907



“You is getting’ old pa,” said Silas, “me and Jordon we can take more work, you is over a hundred…!”
“I done kept up this place 90-years alone; I can still do it, I sees you kids still cant keep up with your ole pa!”
Josh had to refocus, his eyes bleared, he spit out some tobacco, “Youall git to my age, God knows you aint goin’ to be able to work a days work, us old timers we got the stuff, wes born with it, like on that ship that brought me to this here country, it killed so many of the folk I lost count after I used my fingers and toes, yet I survived.”
Josh continued to scold Silas and Jordon for making him think he couldn’t do any work, where in essence they simply were trying to tell him, if he continued to think he was young as he used to be, it might be his death, but who knows, on the other hand, he never thought he could die, and here he was at a hundred-and-four years old.
“Oh,” said Silas, “now aint you the big shot and we aint kids paw, we is in our 80s.”
Josh looked hard into his eyes, into the eyes of Silas, “I guess you is right son, you look older than me, maybe you is my pa!” and they both started laughing. Sometime when you thought Josh was ready to eat you up, it was when he came down to earth, and was funny and practical.


Everything was still when Silas and Jordon returned back from the fields, a stillness discernible, they had been mending fences, still spry and still limber and still with vitality, both these aging old men, were more like Josh, than they thought, they never considered themselves old, until today, until Silas actually said to Josh, “…we is in our 80s.” it made him think.
As they dismounted the wagon, un-harnessed the horses, they sensed a motionless, windless atmosphere, not one animal sound, no: birds, cats, dogs, or chickens making any sounds whatsoever, Silas and Jordon kind of was spooked, looked about.
A dark long shadow moved across their path, the world they once knew, was coming to an end, change was about to take place, Josh’s voice was nowhere to be found. Then Silas recognized the figure on the wooden floor of the shanty, the door was opened, it was his pa.

He, Silas accepted his death, with awkwardness and stubbornness, not to believing he was really dead, but dead non the less because folks said so, and there was a funeral that proved it, and Jordon who was more practical on the matter, believed it to be so.
He buried his face in his hands at the funeral, his thighs weakened; he almost fell on top of the coffin, as it was lowered into the ground. It was October 7, 1907, he, Old Josh, liked fall, he liked the autumn leaves, the colors in them, and when they were gathered into a bundle, and burnt, he liked the smell, so it was a good time for him to die, and Silas he wrote a poem for Josh:


At The funeralI hear the harps of God,I Hear the voice of JesusRinging, ringing, ringingSinging, singing, singingCome, brother JoshuaCome see you’ mother
Angels’ with hands held outAnd pa he sees the throne,And the children playing the harp Ole pa he was a talkin’ manAlways worried ‘bout us boysOle pa he was a drinkin’ man
But he paid no one no harm
He love to fight Lord, I knowsBut he a quite man anyhowHe fuss ‘bout nothin’ all day longHe like a donkey, but sly as a fox
Yessum, ole pa was a talkin’ man
Who like to go to the creek afishin’
Chase Molly Benton around…
But he meant her no harm anyhow

So I hope you done hear me Lord
Cuz pa Joshua, he be knocking
Oh yes, knocking at your door Here me Lord! Hear me! Amen!Note: Read by Silas Jefferson, October 7, 1907
At his Father’s funeral


Centipedes in the Shanty
(1908)

Old Josh used to watch the centipedes with all their legs speed across the wooden floors of his shanty; he was amazed at all those legs working in unison. He wasn’t sure exactly how they moved, but they looked as if they moved without thinking, and they’d speed across one side of the hut, to the other, spot him, (like they do now Silas), they’d spot Josh, and try to hide here or there, before being stomped on with his big flat bare feet.
Silas, Josh’s oldest son now is doing just that, just like his pa used to do—his pa being dead now going on a year—; those centipedes, in particular, this one, the one that is bothering Jordon (for Silas simply plays with them, and stomps on them like his pa used to do, when he gets tired of playing) Jordon doesn’t care for them, he’s kind of afraid of such creatures, and avoids them like the plague, along with spiders and other creepy crawlers.
Says Jordon to Silas: “They sho have a strange looking body, jes’ keeps that thing away from me brother!”
Silas is playing around with the creature, knowing Jordon don’t like them, says “They move with a greet speed, to bad you aint like them!” (And Silas laughs and Jordon keeps his distance, and an eye on the centipede and Silas.)
Now Silas is following the creature with his eyes, Jordon is sitting on the cot, watching the creatures legs as it runs rapidly to and fro, looking for an escape hole, Silas at the kitchen table, now the centipede starts to zigzag, and Jordon jumps up on his cot (Silas laughs). Then Silas gets a cramp in his leg and falls flat on top of the centipede—with is face under it, and I think Jordon stops breathing for a moment, in disbelief, trying to figure out how he is going to get off the cot and out of the shack, he needs to see where the centipede is before he makes his move— looks at the front door, and if the pathway from his cot to the door is clear, he is not that concerned about Silas at all, nor willing to go see how he is.
Silas gets up, looks at Jordon, his mouth tightly closed, sealed by his tight lips against each other, Jordon asks, “What is you up to standing on like that looking at me?”
What Jordon doesn’t know, is that the centipede is in his brother’s mouth, Silas is a bit fogy looking at the floor and Jordon, trying to get his balance, Jordon is standing up on his cot, also trying to keep his balance, there are bricks under his cot so he is not fearful it will rip and he will fall through it like into hole under it, there is no hole under it, just bricks and more bricks. Silas walks over to Jordon, a bit dizzy, stands a foot from him now. He opens his mouth, and spits out the centipede onto Jordon, and he, Jordon, like a wild cat, jumps out the window, break the glass, and frame and all, undresses himself once on solid ground, and runs back into the shanty naked.
Jordon is not happy by all means—he’s got a look on him that could kill, but Silas of course is too big and broad and strong for Jordon to test his brother’s willingness to be pushed around, thus, he takes a plan B, and he grabs a bottle of moonshine, drinks half the bottle down, and passes out on the cot, and Old Silas (for now he is getting old like his pa got old, he’s 81-years old now, and his brother is 78-years old, both still playing like they are kids; Silas finishes off the bottle, and laughs his way to the buck beds, sleep on top, where he usually slept when his pa was alive.

Silas will die in 1909, a year from this centipede episode, and Jordon will be left alone, he will die in 1913. Silas, will have left a boy he named Josh, and thus, the name will carried on, for awhile anyways, Jordon, will not leave a link to the future.


Gabe and Sweet Chile
—1846 (1909)

Advance, well, the truth of the matter is, Josh had a wife, believe it or not. And her name was Marinutita Boston Jefferson Georgia, in short, she was called Sweet Chile. Her and her boyfriend, Gabe Georgia, visited Josh once and to Silas and Jordan’s surprise, they met their mother. She saw at first her two boys from a distance, then came closer to get a better look, but she wasn’t really there to see the boys, she wanted money from Josh, she was on her way down to New Orleans, and during that visit, Amos had been picking cotton over at the neighbors plantation, and stopped to see Josh, and got an eye full of Sweet Chile (and that was that), and she even winked at him, so he says.
Josh had married her in 1825, and she run off with Gabe, in 1831, and the boys had never seen their mother since. Silas was six-years old, and Jordon, six months old when she left.

Sweet Chile has a different story of course on everything, and Gabe, he is mad as a disturbed hornets nest, that Amos, who works on the Smiley plantation, is checking out Sweet Chile. Josh, he don’t care one way or the other, to be honest, he just wants her gone, and the sooner the better.
Mr. Charles Hightower, the owner of the plantation, has gone to New Orleans also, he often does, and only God knows what he does down there, but Josh kind of knows, he’s been down there before with him. In any case, he is due back tomorrow, and he’d not take a liking to seeing Sweet Chile around, she can make a scene. So here we are, all in the back by the corral, where old Nelly the cow is, the boy’s are staring at their with wide open white eyes—like eggs, and their mouths open like hungry lions, and Gabe pushing Amos away from Sweet Chile, and Josh saying he hasn’t any money to go on back to where she came from (Silas is nineteen years old, about, and Jordon a few years younger).


The Get-together
Silas is rather sick, and he is in his shack, thinking about the time he met his mother, it was back in 1846, he only saw her once, and her boyfriend, who call her his wife, but it was really not by law, but common law, he proclaimed her to me so, it is 1909, and he will die in a matter of weeks, he’s been ill a while now, and Jordon is caring for him, it would seem along with old age, his heart is weakening, he is of course, up in years, he is 82-years old, and here is what he remembers as he lays on his bunk bed, on the bottom of his bunk bed, he has changed from the top, to the bottom, because he no longer can jump up and onto it:
“Sweet Chile, I done thought you flew the cope, that you’d be down in New Orleans doin’ what you do best, and we all knows what that is?” said Josh, with a sour tone to his voice.
“Is you callen’ me a whore?” said Sweet Chile.
“No, cuz my boys is here, but if they be not, I’d be so doin’ jes’ that”
“No need to cause trouble over spelt milk, Josh, I is the better man, cuz I got Sweet Chile!” said Gabe, with a proud and provocative tone.
“I done married a mule, you is too good for her, but you is a fool to say, I is dumb, cuz yous got to be dumber than I, cuz you is still with her, she done flew the cope long ago, I is the lucky one, you…hummm—still the dumb one and dont rightly know it,” said josh.
“That there friend of yours, Amos, he best keep his eyes on the sun or the ground, cuz I is aiming to pluck them out from those big sockets in his head, for lookin’ like his is lookin’ at my wife!” remarked Gabe.
“I is ready ole man, cuz I pick cotton, I gits a good right arm, and aiming to punch you in that there big snoot of yours, and Sweet Chile, she gits a good man like me, and gits rid of you once an for all!” said Amos, with a serious look, Josh not believing Amos would really be interested in her.
“Youall dont know what you is saying, she is like that moccasin snake, she kill yaw with one bit,” said Josh.
(Sweet Chile is just looking and laughing, at these men fighting over her, and giving Josh a smirking smile back, kind of saying, ‘Look, I still got what it takes,’ and Josh nodding his head, the boys looking at Josh and their mother, and wanting to have a conversation with her, and Sweet Chile wanting to ask for money from Josh, because she hinted she was broke, and wanted to head on down to New Orleans, she was coming down from North Carolina, and nothing is happening that should be happening, because Gabe is mad at Amos.
Now Charles Hightower came back early, saw all this commotion going on down by Josh’s shanty, and he recognized Sweet Chile, and she knew Mr. Hightower of course, and was a bit afraid he might call the sheriff, and have them tar and fathered, if she caused Josh too much trouble, so she told Gabe to shut up. She looked at her boys, said, “They gittin’ big, I suppose they goin’ to be like you, and god forbid,” and she grabbed Gabe’s hand and pulled him along, towards the corral fence, and out to the dirt road, saying “I told yaw Gabe, he aint got no money, and my kids aint got no time for me, so wes jes’ go on our own way like we been doing,” and they left as mysteriously as they came.)

And this is what Silas remembered, as he lay in his bunk, shaking his head haply, and almost laughing, saying to himself, “Maybe it was better we had never seen her, pa was good enough for us,” but sometimes it is nice to fill that gap of curiosity, if only to find out, God saved us from a worse upbringing.”




The Marsh Angel
(1853)(July 10, 1909)

Advance (Genealogy): Josh Jefferson, as we know, was born 1803, died in 1907, at the age of 104, and yet his birth date could be older he was brought from Africa, and found by Charles Hightower, also he could be younger by a few years, but his birth certificate which Charles had made says 1803, and his death certificate reads 1907. His Silas Jefferson, was born 1827, died 1909, and left a son, by Louise Montgomery, she was born 1837, her date of death unknown, she was known in the Ozark, Alabama area although, as the Marsh Angel, and may have died in that old shantytown outside of Ozark, where Amos was hung. Silas Jefferson, dated her for a short period of time, and she, Louise, had a child by him, one he never talked about much, never seen, if only at a distance, named Josh Washington Jefferson Montgomery, born 1853, and died in 1927, to my understanding in New York City. Josh W.J. Montgomery had a son Josh Jefferson Montgomery Jr. born 1890 and died at the ripe old age of 82-years old, in 1972; and that was when, to my understanding anyhow, the legacy of Old Josh Jefferson, the first, ended, or died out. But who knows, there could be a descendent here or there.



Josh Washington Jefferson Montgomery is at a funeral, it is July, 10, 1909, Ozark, Alabama: it is being held at the little cemetery in the back of Silas’ old shanty, the one his father lived in, and he and Jordon, his brother lived in. I repeat, Josh W.J. Montgomery is present, it is his father’s funeral, and Jordon Jefferson is present, and he can see the similarity in Silas son. Silas never had spoken to his son, not actually spoken, once in an Ozark bar, when Josh W.J. Montgomery was working, washing dishes, Silas came in for a drink, and a few of his friends pointed out Silas’ son to him, and someone even said, “Your paw is over there, go say hello!” But the boy was but fifteen at the time, didn’t know what he looked like, and wasn’t sure if they were kidding, and although he looked about, he didn’t recognize anyone, but who would he, he never say him to his knowledge, and so that was left alone. But today he is seeking closure on this long saga for him, he will talk to Jordon, and get the full story behind his prior existence, the one that brought him into this world, and I shall tell it to you, as Jordon had explained it to Josh W.J. Montgomery (Jordon has agreed to tell him the truth and nothing but the truth, if only he can stand it, and if he can’t then he shouldn’t be asking for it because he is going to get, perhaps more than he bargained for):

“Silas, was 26-years old, Louise Montgomery, was a thin tense light skinned black sixteen-year old girl born and bred in Ozark, Alabama, down by the bluffs, in a shanty hut, by Goose Creek Wells, a location that has but several huts along the creek, she had sex appeal at a very young age, at thirteen, quite developed, and she is getting a name for being a prowler or stalker or even could call her an intruder into the affairs of other folk’s marriages: she is of mixed blood, black with white; she likes white folks who have money, older black folks who have influence and young black folks who can show her a good old time and remain fancy free. She perhaps is ahead of her times; the Civil War is mounting, but not present yet.

“She walked the dark streets of Ozark at her young age, and left Mamma at home, at 13-years old, she had her first affair. Old Josh called her: The Marsh Angel, because she was pretty, and the opposite of an Angel, rather a dark-angel, which he couldn’t say because it was a pun on words, he really meant she was what she was, a soiled young tramp, plus, Silas would have gotten mad, had he not averted the name in his heart out loud.
“Josh knew she needed looking after, that she had surrendered to a number of men, and to his boy, Silas, also.
“When she first met Silas, she sat bolt upright, looking at him, as if he was to be her instructor. Silas had a blind spot, he didn’t know, or see her reputation—too close to the forest to see the trees I suppose, it was not good nor evil, but perhaps somewhere in-between, good being unconditional, evil being conditional, she had a quality though, beyond sex appeal, not sure what you would call it, perhaps passionate beauty, mixed with tense expectations, with some kind of edgy secret in her countenance, a glow beyond normal in her fresh composure, depending on who you are, were, and what she wanted.
Goose Creek Well

“Silas felt his father knew about him and Louise, and Josh knew that Silas felt he knew he knew of their relationship, yet still uncertain he was, because it wasn’t mentioned, not out right anyhow, perhaps by mannerisms, and facial expressions, but to no end it remained a quiet known secret, and that was that, the eyes perhaps told an element of truth, that he was involved beyond the petty stage. But that was as far as it went. They met for the whole summer at Goose Creek Well, but when a stranger, a Blackman came to town, a tall handsome Blackman, said he was from New York City, a free Blackman at that (free, not because the Yankees won the war, there was no war yet, it was brewing thought) but free because he was free long before the Yankees stepped foot in Alabama; in any case, a romance started up, and Silas was overlooked; his name was Alvin G. Thomas.
“Josh had watched Louise grow up and the New Yorker, whom looked more white, than black, had told Louise he had went to Yale, perhaps to impress her, for who could prove otherwise, Josh often saw them together, standing and touching and all that kind of stuff on the local corner, he was in his mid-thirties, so to Louise, he had youth, vitality, and it looked like money, he didn’t need the white folks money, and therefore, she didn’t need white folks either.
“Throughout the summer of 1852, Silas and Louise had their fling you might say, she portrayed a woman twice her age; week after week, and into the months, they were seen together, into the first weeks of fall actually of 1852,
“She wants to marry me,” Silas told his pa; but Josh just laughed, putting in the groceries onto the wagon’s wooden floor, he was doing some shopping for Mr. Hightower at the time. Silas got a bit disturbed. Josh knew Louise would not make anyone a good wife, or so he thought, and didn’t speak his thoughts out loud, perhaps because Silas would take offense, and he’d not have anyone to look after him, in old age; but this of course is just a guess, but a pretty good one.
“Hightower once said to Josh—and he never forgot it, remembered it when he needed to, ‘I’ve come to believe Josh, it isn’t all that important what you do, as long as we here in our home (mansion) are comfortable in bed,’ that is what he said, and what Josh remembered, Josh of course, never ceased to take advantage of that, took it to the edge of reality you could say at times, and did only what was necessary. So he was thinking for a while, he may have to raise another kid, because he knew, Silas had gotten pregnant, but it turned out this stranger, this Alvin G. Thomas, stole her heart, and when the child was born, she was in New York City. As far as Silas knew this slick New Yorker took care of the child and it was said, and now one knew for sure, Louise had died around 1867, they say of childbirth; perhaps Thomas’ child.
“Other rumors were, and they came from a man named Gabe, is that he saw her in New York City once, and she told him she was raped, that was in 1866. After that, no one knows for certain.”

Said Josh W.J. Montgomery, “I suppose we all got to live our lives out as we see fit, and if we have expectations of others, we is just goin’ to be let down, so thanks, Uncle Jordon, cuz you is my uncle you know, and a good honest uncle, I cant ask for more than that.” And he left the way he came, quiet, but a little more content. He told Jordon he was heading up to North Carolina, he had some business up there, whatever that was, he didn’t say, and Jordon didn’t ask.




About the Book: The stories of Old Josh, have been read worldwide, in particular on the internet, by over 60-websites, and translated into several languages, and read by thousands of readers in the past four years. The first six stories of Old Josh were written in 2005, and the following twenty stories thereafter in 2006. In 2007, a dozen or more were written, and a few in 2008, with a total of 47, plus two more written for the new book, making the number 48-stories in four’ years, about 24-are involved here in “Old Josh…”. They were all combined, in July of 2008, to form a book, linked together expanding over two-hundred years. Old Josh was not meant to be a book per se, but has now ended up being just that, and now being added into the collection of two other books of stories making the book a saga: “Cradled by the Devil,” and the short collection of linking stories called, “Mayhem, in the Countryside.” Once put all together, it has formed created a legacy, a work scarcely done by authors, or attempted.
The stories take you from Africa, on a slave ship, to New Orleans, and onto Ozark, Alabama, on the Hightower Plantation, where Josh will spend his life. In the linking books, or stories, the saga continues, by taking the reader to and through WWI, and the Abernathy, Stanley, and Wallace plantations in North Carolina, and on to the Vietnam War, all the way to the turn of the 21st Century.